
Social Representations of Masculinity
Code: 107006Credits: 6
| Degree programme | Type | Course |
|---|---|---|
| Sociocultural Gender Studies | OP | 3 |
Contact lecturer
- Name :
- Diego Falconi Trávez
- Email :
- diego.falconi@uab.cat
Teaching staff
- Michela Mariotto
Group languages
You can consult this information at the end of the document.
Prerequisites
No pre-requisites required
Objectives
I. Understanding masculinities from a broad conception of culture that allows an approach from social studies and cultural criticism.
II. Understanding the different ways of constructing masculinity in different societies.
III. Addressing theories that help question traditional gender roles, which then allow the analysis to be grounded in either sociological or literary/film texts.
IV. Carrying out an interdisciplinary study that links different critical visions regarding gender.
Learning outcomes
- CM30 (Develop the learning skills necessary to undertake subsequent studies with a high degree of autonomy.) Develop the learning skills necessary to undertake subsequent studies with a high degree of autonomy.
- KM56 (Identify the transformations of gender relations in the history of culture.) Identify the transformations of gender relations in the history of culture.
- KM57 (Analyse discourses with a critical eye by emphasising the ideology and ethnocentric and sexist biases present in different forms of cultural expression.) Analyse discourses with a critical eye by emphasising the ideology and ethnocentric and sexist biases present in different forms of cultural expression.
- SM02 (Use technical and interpretative vocabulary specific to the disciplines required in a given project, presentation or assignment, making use of inclusive language.) Use technical and interpretative vocabulary specific to the disciplines required in a given project, presentation or assignment, making use of inclusive language.
- SM35 (Produce an organised and politically correct speech, orally and in writing, in the relevant language.) Produce an organised and politically correct speech, orally and in writing, in the relevant language.
- SM47 (Interpret cultural objects that promote sexed bodies and their gendered manifestations.) Interpret cultural objects that promote sexed bodies and their gendered manifestations.
- SM49 (Recognise the representation of masculinity in the history of the arts.) Recognise the representation of masculinity in the history of the arts.
- SM50 (Work autonomously to systematise information, both among structured sources (databases, bibliographies, specialised journals) and from information published on the internet.) Work autonomously to systematise information, both among structured sources (databases, bibliographies, specialised journals) and from information published on the internet.
Contents
PART 1. CULTURAL REPRESENTATIONS I THEORIES CRITIQUES OF MASCULINITATSTopic 1: The gender perspective in masculinity studiesTopic 2: Masculinity theories: becoming a manTopic 3: Ways to perform masculinities: literature, cinema and other archivesTopic 4: Intersections of race, class, gender, coloniality... in masculinitiesTopic 5: Homosociality and power. Desire, norms, and dissidencesTopic 6: Violences, affexts and ways of rethinking their representation.
PART 2. SOCIAL REPRESENTATIONS AND SOCIOLOGICAL THEORIES OF MASCULINITYTopic 7: Becoming a man: the construction of masculinity from childhoodTopic 8: Critical studies on masculinities: the sociological perspectiveTopic 9: Hegemonic masculinities, hybridization, and “new” masculinitiesTopic 10: Masculinities from an anthropological perspective: bodies, rituals, and powerTopic 11: Masculinities beyond the binary: trans and queer perspectivesTopic 12: The men’s movement: from gender equality to the “manosphere”?
Learning activities and methodology
| Title | Hours | ECTS | Learning outcomes |
|---|---|---|---|
| Reading activities | 30 | 1.2 | CM30, KM57, SM35 |
| Papers, research and group presentations | 30 | 1.2 | CM30, KM56, SM02 |
| Practique seminars | 12 | 0.48 | KM56, SM35 |
| Presentations by invited speakers | 3 | 0.12 | KM56, KM57, SM50 |
| Theoretical sessions by the professor | 47 | 1.88 | KM56, SM35 |
Classroom activities
- Theoretical plenary sessions carried out by the teaching staff, aimed to presenting the concepts and contents of the course, in which the class readings are discussed.
- Practice seminars consisting of exercises to be performed and presented in the same session by the students.
- Possible presentation of people invited to lecture and can contribute with their knowledge
Activities outside the classroom
- Readings and other materials available on Virtual Campus, which will add to the content worked in the classroom.
- Work, research and group presentations on various topics linked to the course.
Assessment
Continuous assessment activities
| Title | Weight | Hours | ECTS | Learning outcomes |
|---|---|---|---|---|
| Class exercise | 20% | 2 | 0.08 | CM30, KM56, KM57, SM02, SM35, SM49 |
| Knowledge test | 30% | 2 | 0.08 | CM30, KM56, SM02 |
| Group presentation 2 | 20% | 12 | 0.48 | CM30, KM56, KM57, SM02, SM35, SM50 |
| Group presentation 1 | 30% | 12 | 0.48 | CM30, KM57, SM02, SM35, SM47, SM49, SM50 |
PART ONE
In-class exercise.- This short exercise aims to assess learning from the sessions dedicated to theory, literary comparatism, and cultural studies. It seeks to ensure that, at theoretical, methodological, and practical levels, students become aware of what they have learned throughout the course. It is an applied exercise that requires three elements: understanding of theory, text analysis, and critical thinking. Proper and clear written language is essential.
Group presentation 1.- This collective exercise involves explaining a class topic based on a reading, within a maximum of twenty-five minutes. The aim is not to summarize the reading, but to understand its main concepts, critically engage with them, and apply them to specific cases or examples. Participation must be balanced among presenters, as synthesis and clarity are key values in this activity. Careful prior preparation among presenters is essential for a smooth and creative presentation.
PART TWO
Knowledge test.- The final assessment aims to evaluate the learning outcomes achieved during the sessions of the second part and to assess students’ ability to apply the knowledge acquired throughout the course. The test will consist of a written exam composed of a multiple-choice section (60%) and an open-ended questions section (40%).
Group presentation 2.- The objective of this collective exercise is to present a topic discussed in class based on one of the readings selected by the instructor at the beginning of the course, within a maximum of thirty minutes. The aim is not to summarize the reading, but to identify its key concepts, critically analyze them, and apply them to specific cases or examples. The presentation will be followed by a class discussion that will allow all students to critically engage with the topic, share different perspectives, and collectively deepen their understanding of the course content.
Qualifications
The final grade will be expressed in a range between 0 and 10 points. 5 is the minimum grade to consider the course as passed.
In order to calculate the final grade, it is necessary to comply with these conditions:
a) have been submitted three of the four evaluation forms
b) have a qualification equal to or greater than three point five (=> 3.5) for in each of the four items.
Note: The qualification of “Non-assessable” is required aslong as no work has been handed out to the professors.
Re-evaluation process
It is possible to be re-evaluated if the the student completes all of the following requirements:
1. That the subject does not exceed 5 (4,8 is not 5).
2. Have been evaluated in 2 of the 3 activities with class qualifications.
3. Have obtained a qualification of 3.5/10.
Note: In the case of accepting re-evaluation, the final grade will not exceed 5.
Review of qualifications
At the time of carrying out each assessment activity, the teacher will inform the students (Moodle) of the procedure and data for reviewing the qualifications.
Plagiarism
In cases where students comit plagiarism (including the performance of tasks based on artificial intelligence devices ), this will be qualified with 0, regardless of the disciplinary process that may arise. In case various irregularities are verified in the evaluation acts of a subject subject, the final qualification of that subject will be 0.
IA
For this course, the restricted use of Artificial Intelligence (AI) technologies is permitted exclusively for support tasks, such as text proofreading or translation. Students must clearly identify which parts have been generated using this technology, specify the tools used, and include a critical reflection on how these have influenced the process and the final outcome of the activity. Failure to transparently disclose the use of AI in this assessed activity will be considered academic dishonesty and may result in a partial or total penalty on the grade, or more severe sanctions in serious cases.
During the oral examination, no notes, electronic devices, or AI tools may be used. If the use of AI is detected during the exam, it will automatically be graded with a 0. After the exam has been completed, if during grading the teaching staff suspects that it may have been completed dishonestly (cheating, plagiarism, use of AI during the exam, etc.), they reserve the right to conduct oral interviews or an alternative assessment to verify the actual acquisition of knowledge and competences, as well as the validity of the student’s exam, and to determine the final grade.
Compressed evaluation
To opt for single assessment, students must notify this within the established deadline. Once this deadline has expired, it will no longer be possible to choose this assessment mode. This evaluation will consist of three activities that will take place on the same day (which will be notified by the professor):
1. Individual exhibition (30%)
2. Class exercise (35%)
3. Oral test (35%)
Note: All assessment items tend to be more extensive and complex than those of continuous assessment.
Bibliography
Andrés, Rodrigo (ed.) (2011), Homoerotismos literarios, Barcelona, Icaria.
Armengol, J.M (2022) Reescrituras de la masculindad, Madrid, Alianza Editorial
Azpiazu, Jokin (2017), Masculinidades y feminismos, Barcelona, Virus
Connell, Raewyn (2003) Masculinidades, México, Programa Universitario de Estudios de Género.
Falconí Travez, Diego (2022) From Ashes to text. Londres, Polity Books.
Halberstam, Jack(/Judith) (2008), Masculinidades femeninas, Barcelona, Egales.
Hooks, Bell (2021), El deseo de cambiar: Hombres, masculinidad y amor, Barcelona, Bellaterra.
Kimmel, M. (2008). Guyland: The Perilous World Where Boys Become Men. Harper Perennial
Preciado P. (2020). Yo soy el monstruo que os habla. Nuevos Cuadernos Anagrama
Ramos, Alfredo (2023), Perforar las masculinidades. Barcelona: Bellaterra.
Zoja, Luigi (2018). El gesto de Héctor, Madrid, Taurus.
Software
Virtual Campus will be used to post readings and works.
Course groups and languages
The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE
| Type of teaching | Group | Language | Semester | Shift |
|---|---|---|---|---|
| (TE) Theory | 1 | Spanish | first semester | morning-mixed |
| (PAUL) Classroom practices | 1 | Spanish | first semester | morning-mixed |