
Nineteenth Century Spanish Poetry and Theatre
Code: 106360Credits: 6
| Degree programme | Type | Course |
|---|---|---|
| Spanish Language and Literature | OP | 3 |
| Spanish Language and Literature | OP | 4 |
Contact lecturer
- Name :
- Montserrat Amores Garcia
- Email :
- montserrat.amores@uab.cat
Group languages
You can consult this information at the end of the document.
Prerequisites
By obtaining the minimum of credits in basic training subjects, students have demonstrated to have acquired the basic competences and they will be able to express themselves orally and in writing.
It is also expected that students know the general rules of submission of an academic work. However, students could apply the specific rules that the teacher of the subject may indicate to them, if they deem it necessary.
Objectives
“Poesía y teatro del siglo XIX” is part of the group of optional subjects in the Degree in Spanish Language and Literature at the Universitat Autònoma de Barcelona and belongs to the range of courses devoted to the historical and philological study of modern Spanish literature.
The subject offers a study of nineteenth-century Spanish poetry and theatre through their various literary forms, audiences and modes of circulation. During the classes, students will carry out a critical commentary on El diablo mundo by José de Espronceda and on a selection of poetry written by nineteenth-century women authors, with the aim of analysing their position within the literary system of the period and the processes of construction, exclusion and revision of the nineteenth-century poetic canon.
In the field of theatre, the course will address the stage culture of the period, with special attention to dramatic genres, audiences and repertoires. It will also include critical commentary on Don Juan Tenorio by José Zorrilla and on several plays by Emilia Pardo Bazán, so that students may practise the analysis of poetic and dramatic texts.
Learning outcomes
- Use the appropriate terminology in the construction of an academic text and in the transmission of their knowledge.
- Justify the characteristics of the texts and literary periods under study in different types of academic writing (written exams, academic papers, summaries and reviews).
- Use traditional sources to obtain, classify, interpret and analyse relevant data related to the study of Spanish language and literature.
- Use digital tools to obtain, classify, interpret and analyse relevant data related to the study of Spanish language and literature.
- Assess, through the analysis of literary productions, the prejudices and discriminations that may be included in actions or projects, in the short or long term, in relation to certain people or groups.
- Recognise the principles of the discipline of study and its main sources.
- Contextualise historically, socially and ideologically the literary production of the Enlightenment and Romanticism.
- Contextualise historically, socially and ideologically the literary production of Realism and Modernism.
- Contextualise historically, socially and ideologically the literary production of 19th century Spanish poetry and theatre.
- Contextualise historically, socially and ideologically the literary production of 19th century Spanish narrative.
- Analyse the features of the literary genres of the Spanish Enlightenment and Romanticism.
- Identify the features of the literary genres of Realism and Modernism.
- Examine the features of 19th-century Spanish poetry and theatre.
- Analyse the features of 19th-century Spanish narrative.
- Use appropriate terminology in the construction of an academic text.
- Comment on a text taking into account the figures of thought and expression.
- Critically interpret literary works taking into account their historical and social context.
- Elaborate summaries or reviews of academic works.
- Critically interpret bibliography.
- Write and present academic works.
Contents
1. Poetry. Thematic and formal renewal. Genres, audiences and forms of circulation.
2. El diablo mundo by José de Espronceda: the ambition of the total poem.
- Espronceda, José, El diablo mundo.
3. Female authorship in the nineteenth-century canon.
- Antología de poesía de escritoras del siglo XIX.
4.Theatre. From the comedy of manners to the “alta comedia”. Stage, audience and repertoires.
5.Spanish Romantic theatre. Don Juan Tenorio as a Romantic rewriting of the myth of Don Juan.
- Zorrilla, José, Don Juan Tenorio.
6. Emilia Pardo Bazán and fin-de-siècle theatre.
- Pardo Bazán, Emilia, El vestido de boda (1898) and Cuesta abajo (1906).
Readings
1. Espronceda, José, El diablo mundo.
- El estudiante de Salamanca. El diablo mundo, ed. Robert Marrast, Madrid, Castalia (Clásicos Castalia, 81), 1978.
- Poesía y prosa, ed. Guillermo Carnero. Appendix by Ángel-Luis Prieto de Paula, Madrid, Espasa Calpe (Austral), 1999.
2. Antología de poesía de escritoras del siglo XIX.
- Antología poética de escritoras del siglo XIX, ed. Susan Kirkpatrick, Madrid, Castalia / Instituto de la Mujer (Colección Biblioteca de Escritoras, núm. 34), 1992.
- Canto porque existo y siento. Antología de cinco poetas románticas, ed. Marta Blanco Fernández, Madrid, Clásicos Hispánicos, epub.
3. Zorrilla, José, Don Juan Tenorio.
- Ed. David T. Gies, Madrid, Castalia (Clásicos Castalia), 1994.
- Ed. Luis Fernández Cifuentes, preliminary study by Ricardo Navas Ruiz, Barcelona, Crítica (Biblioteca Clásica, 95), 1993.
- Ed. Aniano Peña, Madrid, Cátedra, 2006.
4. Pardo Bazán, Emilia, El vestido de boda (1898) and Cuesta abajo (1906).
- Pardo Bazán, Emilia, El vestido de boda (1898) and Cuesta abajo (1906), in Teatro completo, ed. Montserrat Ribao, Madrid, Akal, 2010, pp. 79-87 and 169-246.
Learning activities and methodology
| Title | Hours | ECTS | Learning outcomes |
|---|---|---|---|
| Scheduled tutorials. Preparation and presentation of assignments | 9.5 | 0.38 | 2, 4, 5, 6, 9, 13, 15, 16, 17, 18, 19, 20 |
| Lectures, seminars and practical sessions | 52.5 | 2.1 | 1, 2, 3, 4, 5, 6, 9, 13, 15, 16, 17 |
| Independent study and self-directed work | 75 | 3 | 1, 3, 5, 6, 9, 13, 15, 16, 17, 18, 19, 20 |
The learning of this subject by the students is distributed as follows:
Directed activities. These activities are divided into master classes and seminars and classroom practices led by the faculty, in which theoretical explanation is combined with discussion of all types of texts.
Supervised activities. These tutorials are programmed by the teacher, dedicated to correcting and commenting on problems at different levels of literary analysis.
Autonomous activities. These activities include both time devoted to individual study and production of papers and analytical comments written, as well as oral presentations.
Assessment
Continuous assessment activities
| Title | Weight | Hours | ECTS | Learning outcomes |
|---|---|---|---|---|
| First written test | 40 % | 1.5 | 0.06 | 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19 |
| Second written test | 40 % | 1.5 | 0.06 | 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20 |
| Class attendance and participation | 10% | 10 | 0.4 | 1, 2, 3, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20 |
| Philological annotation exercise | 10% | 0 | 0 | 1, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20 |
Continuous assessment
In order to be eligible for a pass, students are required to complete all the course readings.
Assessment for the subject will be based on the following activities:
- The philological annotation of a passage from one of the poems studied (10%).
- A written test halfway through the semester on the first two course readings (first mid-term exam) (40%).
- A written test at the end of the semester on the final two course readings (second mid-term exam) (40%).
- Optional activity. Class participation (10%). This will take the form of one of the following activities, always agreed in advance with the lecturer:
- A brief oral commentary on a relevant aspect of the texts analysed in class.
- A summary and critical assessment of a bibliographical contribution related to the course syllabus.
- A comparative analysis of a topic developed in the works under study.
If this optional activity is not carried out, the corresponding 10% will be added to the mark for the philological annotation.
Exchange students who wish to bring forward an exam must submit to the lecturer a written document from their home university justifying their request.
The written expression of the tests must be appropriate: students must write well-structured commentaries, with paragraphs that have complete meaning and are coherent and properly developed. Errors, whether spelling, punctuation, syntactic cohesion, lexical improprieties, etc., will be penalised with 0.25 points each. Tests with more than ten errors will receive a failing mark.
The activities, practical exercises and assignments submitted for the subject must be original, and partial or total plagiarism of external materials published in any format will not be accepted under any circumstances. The person enrolled in the subject must properly indicate, in accordance with the conventions of bibliographical documentation, the authorship of all quotations and the use of external materials. The submission of non-original material without properly indicating its source, or the inappropriate or incorrect use of bibliography, will automatically result in a failing mark (0), with no possibility of reassessment.
If the lecturer asks the student to provide the sources used (annotated articles and books, outlines, notes, etc.), these must be submitted. If the student commits any kind of irregularity that may lead to a significant variation in the mark awarded for an assessment activity, that activity will be marked 0, regardless of any disciplinary procedure that may arise from it. If several irregularities are verified in the assessment activities of the same subject, the final mark for that subject will be 0.
This subject allows the use of Artificial Intelligence (AI) technologies exclusively in the preparation process for the philological annotation test. The use of Artificial Intelligence (AI) technologies to generate texts is not permitted. If the student makes use of this technology, they must (i) identify the parts that have been generated with AI; (ii) specify the tools used; and (iii) include a critical reflection on how these tools have influenced the process and the final outcome of the activity. Lack of transparency in the use of AI in this assessable activity will be considered a breach of academic honesty and will mean that the activity is marked 0 and cannot be reassessed, or may entail more serious sanctions in cases of particular gravity. Likewise, the lecturer may summon the student to an individual tutorial in order to verify that the use of AI, where applicable, has been transparent, responsible and in accordance with the conditions established in this teaching guide.
At the time of each assessment activity, the lecturer will inform students via Moodle of the procedure and date for reviewing marks.
Students may take a reassessment of the subject provided that they meet the following requirements:
- They must have completed at least 2/3 of the assessment activities, that is, the two written tests (first and second mid-term exams).
- They must have obtained an average mark of at least 3.5 in the continuous assessment for the course.
- The philological annotation exercise cannot be reassessed; nor can class participation activities. If the student has not completed the philological annotation exercise, it will be marked 0 for the purposes of calculating the weighted average.
The result of the reassessment test will replace the mark of the failed test in the final calculation of the subject mark.
The student will receive a mark of “Not assessable” whenever they have not submitted more than 30% of the assessment activities.
Single assessment
The date of the single assessment will be announced during the first days of the course on the subject’s Campus Virtual.
In order to be eligible for a pass, students are required to have completed all the course readings and to carry out the following assessment activities.
- A text commentary or the development of a topic related to the course content (20% of the mark).
- A written test halfway through the semester on the first two course readings (first mid-term exam) (40%).
- A written test at the end of the semester on the final two course readings (second mid-term exam) (40%).
The same reassessment system as for continuous assessment will apply.
For all other considerations regarding correctness in written expression, plagiarism, the use of AI, the review of tests and the mark of “Not assessable”, the rules for continuous assessment will apply.
Bibliography
Alborg, Juan Luis (1980), Historia de la literatura española. Vol. IV: El romanticismo, Madrid, Gredos.
Alonso, Cecilio (2010), Historia de la literatura española. 5: Hacia una literatura nacional. 1800-1900, Crítica, Barcelona.
Blanco, Alda (2001), Escritoras virtuosas: narradoras de la domesticidad en la España isabelina, Granada, Universidad de Granada.
Blanco Fernández, Marta, ed. (2024), Canto porque existo y siento. Antología de cinco poetas románticas, Madrid, Clásicos Hispánicos. epub.
Caldera, Ermanno (2001), El teatro español en la época romántica, Madrid, Castalia.
Cardwell, Richard, ed. (1982), Romanticismo I. Atti del II Congresso sullo romanticismo spagnolo e ispanoamericano (Aspetti e problemi del teatro romantico), Génova, Universidad de Génova.
Carnero, Guillermo, coord. (1996), Historia de la literatura española. Vol. 8: Siglo XIX, I, Madrid, Espasa Calpe, 1996.
Coca Ramírez, Fátima (2006), El género dramático en España en el siglo XIX. Estudio teórico desde la preceptiva literaria, Universidad de Cádiz.
Díaz Lage, Santiago (2020), Escritores y lectores de un día todos: literaturas periódicas en la España del siglo XIX, Zaragoza, Prensas de la Universidad de Zaragoza.
García Lorenzo, Luciano, ed. (2000), Autoras y actrices en la historia del teatro español, Murcia, Universidad de Murcia.
Gies, David T. (1996), El teatro en la España del siglo XIX, Madrid, Cambridge University Press.
Irisarri Gutiérrez, Raquel (2025), La rebelión de la estrella polar. Adaptaciones del ideal de feminidad a finales del siglo XIX (1868-1899), Málaga, Universidad de Málaga.
Jagoe, Catherine, Alda Blanco y Cristina Enríquez de Salamanca (1998), La mujer en los discursos de género, Barcelona, Icaria & Antrzyt.
Kirkpatrick, Susan (1989), Las románticas. Escritoras y subjetividad en España, Madrid, Cátedra, Madrid.
Kirkpatrick, Susan, ed. (1992), Antología poética de escritoras del siglo XIX, Madrid, Castalia / Instituto de la Mujer (Colección Biblioteca de Escritoras, núm. 34).
Llorens, Vicente (1980), El romanticismo español, Madrid, Castalia.
Llorens, Vicente (1968), Liberales y románticos. Una emigración española en Inglaterra (1823-1834), Madrid, Castalia.
Madroñal Durán, Abraham et al. (2003), Historia del teatro español, Madrid, Gredos.
Mayoral, Marina coord. (1990), Escritoras románticas españolas, Madrid, Fundación Banco Exterior.
Navas Ruiz, Ricardo (1990), El romanticismo español, Cátedra, Madrid,4ª ed. renovada.
Navas Ruiz, ed. (2000), Poesía española. El siglo XIX, Barcelona, Crítica (Páginas de Biblioteca Clásica, 6).
Palenque, Marta (1990), Gusto poético y difusión literaria en el realismo español, Sevilla, Alfar.
Palenque, Marta (1990), El poeta y el burgués (Poesía y público 1850-1900), Sevilla, Alfar.
Romero Tobar, Leonardo (1994), Panorama crítico del romanticismo español, Madrid, Castalia.
Romero Tobar, Leonardo, coord. (1998), Historia de la literatura española. Vol. 9: Siglo XIX, II, Madrid, Espasa Calpe.
Rubio Jiménez, Jesús (1982), Ideología y teatro en España: 1890-1900, Zaragoza, Universidad de Zaragoza.
Ruiz Ramón, Francisco (1992), Historia del teatro español. (Desde sus orígenes hasta 1900), Madrid, Cátedra.
Salaün, Serge, Evelyne Ricci y Marie Salges, dirs. (2005), La escena española en la encrucijada (1890-1910), Madrid, Fundamentos/Casa de Velázquez.
Sánchez, Raquel (2019), Señoras fuera de casa. Mujeres del XIX: la conquista del espacio público, Madrid, Catarata.
Sánchez Llama, Íñigo (2000), Galería de escritoras isabelinas. La prensa periódica entre 1833 y 1895, Madrid, Ediciones Cátedra-Instituto de la mujer.
Simón Palmer, María del Carmen (1991), Escritoras españolas del siglo XIX. Manual bio-biográfica, Madrid, Castalia.
Simón Palmer, María del Carmen (1983), “Escritoras femeninas del siglo XIX o el miedo a la marginación”, Anales de Literatura Española, II, pp. 477-489.
Simón Palmer, María del Carmen (1989), “Las románticas y la sociedad de su tiempo”, Ínsula, 616 (diciembre), pp. 19-20.
Simón Palmer, Carmen (1990), “Panorama general de las escritoras románticas españolas”, en M. Mayoral, coord., Escritoras románticas españolas Madrid, Fundación Banco Exterior, pp. 9-16.
Urrutia, Jorge ed. (1995), Poesía española del siglo XIX, Madrid, Cátedra (Letras Hispánicas, 390).
Zavala, I.M., coord. (1982), Historia y crítica de la literatura española. Vol. 5 Romanticismo y realismo, Barcelona, Crítica.
Zavala, I. M., coord. (1994), Historia y crítica de la literatura española. Suplemento al vol. 5 Romanticismo y realismo, Barcelona, Crítica.
Software
Moodle i Teams.
Course groups and languages
The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE
| Type of teaching | Group | Language | Semester | Shift |
|---|---|---|---|---|
| (TE) Theory | 1 | Spanish | second semester | morning-mixed |
| (PAUL) Classroom practices | 1 | Spanish | second semester | morning-mixed |