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Introduction to Spanish American Literature

Code: 106350
Credits: 6
2026/2027
Degree programme Type Course
Spanish Language and Literature FB 1

Contact lecturer

Name :
Fernanda Bustamante Escalona
Email :
mariafernanda.bustamante@uab.cat

Group languages

You can consult this information at the end of the document.

Prerequisites

“Introducción a la literatura hispanoamericana” is a Basic Training (FB) course, and therefore it is compulsory to take and pass in order to obtain the degree qualification.


The course requires a command of spoken and written Spanish equivalent to that acquired upon completion of secondary education, and it does not require any prior prerequisites to be taken.

Objectives

The course “Introducción a la literatura hispanoamericana” aims to introduce students to the literature of Latin America and to the different approaches and methodologies used in literary and cultural studies focused on works and authors from the region.


It provides a preliminary overview of key historical periods, authors, works, trends, and poetics in the region’s literary production, alongside the most significant processes of theoretical and epistemological transformation. In this regard, the course includes an initial and panoramic review of authors and literary works from different periods and genres (fictional and non-fictional; mimetic and non-mimetic).


Likewise, the course content, which is not organized according to a historiographical sequence, addresses the relationship between literature, history, society, and identity, incorporating gender and post(de)colonial perspectives. For this reason, the compulsory reading corpus includes works by women writers, LGBTQ authors, and racialized authors.


Classes have a practical-theoretical nature, and the methodology combines students’ individual reading, guided literary analysis led by the teaching staff, and the review/application of specific theoretical categories in literary analysis.


Given that this is an introductory, first-year course, it also aims to reinforce core content related to literary studies.


Its specific objectives are:

[1] To introduce students to the culture and literature of Latin America.

[2] To initiate students in recognizing Latin American literature within the panorama of world literature.

[3] To introduce students to the recognition of key authors, themes, genres, and motifs in Hispanic American literature.

[4] To introduce students to Latin Americanist theoretical-critical approaches and methodologies for the study of the region’s literary works.

[5] To introduce students to Hispanic American literary studies from a critical perspective in relation to traditional literary historiography.

[6] To develop analytical and interpretative skills through the reading of literary works, enabling reflection on the links between literature, society, and identity.

[7] To strengthen knowledge of categories related to literary studies (cultural field, narratology, rhetorical figures, etc.).

[8] To foster reading habits through sustained and guided reading, using the close reading methodology.

[9] To develop writing and oral expression skills.

[10] To develop research skills.


Likewise, this course aims to contribute to the achievement of the following General Competences of the UAB: G04, “To act within one’s field of knowledge while assessing inequalities based on sex/gender”; and G01, “To introduce changes in the methods and processes of the field of knowledge in order to provide innovative responses to the needs and demands of society.” In this way, the course adopts a gender and post/decolonial perspective and seeks to make use of innovative teaching methodologies.


Learning outcomes

  1. Analyse inequalities due to sex or gender and gender bias in the field of social-historical knowledge.
  2. Use traditional sources to obtain, classify, interpret and analyse relevant data related to the study of Spanish language and literature.
  3. Use digital tools to obtain, classify, interpret and analyse relevant data related to the study of Spanish language and literature.
  4. Recognise the main periods of Western literary history and their general features.
  5. Apply the basic principles of literary text analysis.
  6. Carry out basic bibliographic research.
  7. Identify primary and secondary sources.
  8. Link a text with its context of literary production.
  9. Situate an author's production in a specific literary period.
  10. Analyse literary texts on the basis of the keys of the genre to which they belong.
  11. Point out similarities and differences between texts on the basis of relevant theoretical concepts.
  12. Comment on literary texts using specific methodologies.
  13. Identify the main sources of a literary text.
  14. Assess, through the analysis of literary productions, the prejudices and discriminations that may be included in actions or projects, in the short or long term, in relation to certain people or groups.
  15. Identify the main gender inequalities present in society through their representation in literary texts.
  16. Use the appropriate resources and methodology for an academic work.
  17. Organise content clearly and appropriately for oral presentation.

Contents

Unit 1 – Preliminary approach to Latin America, its culture and literature

• Introduction to the Latin Americanist perspective

• Brief historiographical overview of Latin American literature

• Latin American literature within the literary field: from the literature of the “other” shore to world literature

• Milestones of canonization: the case of the Latin American “boom” and magical realism


Unit 2 – Literature and post/decoloniality: writings of and about mestizaje and racialized communities

• Key concepts and moments for understanding mestizo Latin America and its literatures

• Indigenous literatures: from Indianist and indigenist narratives to neo-indigenism

• The letters of a deferred Africa: from Negrista poetry to Afrofuturism


Unit 3 – Literature and historical memory: political violence shaping writing

• The relationship between Literature–History–Politics in the cultural field and in Latin American literary works

• Memory and denunciation in fictional and non-fictional narrative texts: from the historical novel and (post)dictatorship narratives to chronicles and testimonial writing

• Memory and denunciation in dramatic and poetic texts: from political and memory theatre to socially engaged poetry


Unit 4 – Literature and gender: women’s writing and denunciations/resistances to patriarchal violence

• Questioning the canon and literary historiography: legitimization and visibility of women’s authorship today

• Representative cases: Modernist women poets and the overlooked women of the “boom”

• Non-mimetic narratives from a feminist perspective


[Required readings] This course works with short stories, poems, excerpts, and other brief texts from Latin American literature. All required and supplementary readings will be indicated at the beginning of the course and will be provided through the Virtual Campus or other means.


Learning activities and methodology

Title Hours ECTS Learning outcomes
These consist of tutorials scheduled by the instructor, devoted to the correction and discussion of difficulties at different levels of literary analysis and contents comprehension. 13 0.52 2, 3, 4, 6, 12, 13, 14, 15, 16, 17
These activities are divided into lectures and practical sessions and seminars led by the instructor, in which theoretical explanations will be combined with the discussion of all kinds of texts. 50 2 1, 2, 5, 8, 9, 10, 11, 12, 13, 14, 15
These include time devoted to personal study as well as the completion of the different assessment tasks. 60 2.4 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17

The learning process for this course is structured as follows:

Directed activities (26.6%). These activities are divided into lectures and practical sessions and seminars led by the instructor, in which theoretical explanations will be combined with the discussion of all kinds of texts. 40 hours

Supervised activities (10%). These consist of tutorials scheduled by the instructor, devoted to the correction and discussion of difficulties at different levels of literary analysis and contents comprehension. 15 hours.

Autonomous activities (63.3%). These include time devoted to personal study as well as the completion of the different assessment tasks. 95 hours.


Note: 15 minutes of one class session, within the timetable established by the faculty or the degree program, will be reserved for students to complete evaluation surveys on the teaching performance and on the course or module.


Annotation: within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.

Assessment

Continuous assessment activities

Title Weight Hours ECTS Learning outcomes
1 exam (Unit 1) 15% 2 0.08 2, 3, 4, 5, 6, 7, 8, 9, 16
1 exam (Units 2, 3, and 4) 45% 2 0.08 1, 2, 4, 5, 6, 8, 9, 10, 11, 12, 13, 14, 15, 16
1 learning portfolio (all units) 40% 23 0.92 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17

CONTINUOUS ASSESSMENT will consist of:

• 1 exam (15%): Unit 1

• 1 exam (45%): Units 2, 3, and 4

• 1 learning portfolio (40%): all units


The dates and requirements for each assessment will be provided during the first week of classes and will be available on the Virtual Campus.


Exchange students who need to reschedule an exam must submit a written document from their home university justifying their request to the instructor.


As this is a Basic Training course, a single final assessment system is not allowed.


Grade REVIEW procedure:

At the time each assessment activity is carried out, the instructor will inform students about the procedure and date for reviewing grades.


Requirements to PASS the course:

• Having taken all the scheduled assessments

• Obtaining an overall average grade of 5 or higher across all activities


In the event that a student commits any type of irregularity that may lead to a significant alteration of the grade of an assessment activity, the activity will be graded with a 0, regardless of any disciplinary proceedings that may arise from it. In the event that multiple irregularities are verified in the assessment activities of the same course, the final grade for the course will be 0.


Clarifications regarding to RETAKE assessment:

Students who, after calculating the average of the different assessment activities, do not obtain a grade equal to or higher than 5 may take the resit exam, provided that they meet the following requirements:

• Having completed 2/3 of the assessment activities

• Having obtained a minimum average grade of 3.5 in the assessment activities

• Having no record of irregularities or infractions

• Only failed assessments may be retaken. It is not possible to take the resit in order to improve grades for assessments with a score equal to or higher than 5

• The resit involves retaking all failed assessments, in the event that there is more than one


o Failure to attend an assessment activity will result in a grade of 0, and no alternative date will be scheduled. However, it may be retaken, provided that 2/3 of the assessment activities have been completed, as established by the regulations.


o Certain activities may be excluded from the resit process if the instructor considers that they are not recoverable. These will be specified at the beginning of the course.


Conditions for the “NOT ASSESSED” grade:

• Students will receive a “not assessed” grade if they have not submitted more than 30% of the assessment activities (that is, if they have not completed at least 2 out of the 3 assessments). The “not assessed” status implies that they cannot take the resit assessment.


Plagiarism or fraudulent conduct:

In the event that a student commits any type of irregularity that may lead to a significant alteration of the grade of an assessment activity, it will be graded with a 0, regardless of any disciplinary proceedings that may arise from it. In the event that multiple irregularities are verified in the assessment activities of the same course, the final grade for the course will be 0.


Total or partial plagiarism will result in a fail for the entire course. In other words, all assignments must be original. Total or partial copying of materials already published in any format is not permitted. If non-original material is submitted without indicating its source, the grade for the activity or assignment will automatically be a fail (0).


Artificial Intelligence (AI)

This course allows the use of Artificial Intelligence (AI) technologies exclusively for tasks such as bibliographic or information searches, text correction, or translations, at the discretion of the instructors. In the case of philology degree courses, the use of translation must be authorized by the instructors. Other situations may be considered, always with the agreement of the instructors.


Students must: (i) identify the parts that have been generated using AI; (ii) specify the tools used; and (iii) include a critical reflection on how these tools have influenced the process and the final outcome of the activity.


Lack of transparency in the use of AI in assessable activities will be considered a breach of academic integrity and will result in the activity being graded with a 0 and not eligible for resit, or in more severe sanctions in serious cases.


Other matters regarding assessment:

  • Spelling, punctuation, and discourse structure will be taken into account. Each mistake will deduct 0.20 points, and any assessment containing more than 10 mistakes will not be corrected further.
  • If assessments cannot be carried out in person, their format will be adapted (without altering their weighting) to the possibilities offered by the UAB’s virtual tools.


For the evaluation of the course, it will be considered whether students demonstrate the following abilities:

• Clarity in exposition and argumentation: appropriate structuring of discourse, with coherence and cohesion, thematic progression, proper justification of statements and explanations, etc.

• Ability to analyze and synthesize, going beyond mere description and repetition of arguments from the works and historiographical or theoretical commonplaces; as well as development appropriate to the proposed topic and task.

• Use of theoretical-critical sources: in-depth reading and correct use of the core bibliography of the course.

• Richness and correctness of expression, especially with regard to vocabulary, syntactic structures, and spelling.

• Participation in the development of the course.


Students’ work throughout the entire course, their progress, their involvement in the learning process, and the achievement of the stated competencies will be taken into account. The aim is also for assessment to be formative, that is, integrated and oriented toward improving learning


Bibliography


All mandatory and supplementary readings will be indicated at the beginning of the course and will be provided by the instructors, either through the Virtual Campus (CV) or other means.


Basic bibliografy

  • ANDERSON IMBERT, Enrique (1967), Historia de la literatura hispanoamericana. México: F.C.E.
  • ARACIL, Beatriz (2009), "Sobre el proceso de creación de un imaginario múltiple: América durante el periodo colonial" en Alemany, Carmen y Aracil, Beatriz (eds.), América en el imaginario europeo, Alicante: Publicaciones de la Universidad de Alicante.
  • BARRÍA JARA, Mauricio y INSUNZA FERNÁNDEZ, Iván (2023), Escenas políticas. Teatro entre revueltas 2006-2019. Chile: Oxímoron.
  • BELLINI, Giuseppe (1997), Nueva historia de la literatura hispanoamericana. Madrid: Castalia.
  • COLOMBI, Beatriz (2021), Diccionario de términos críticos de la literatura y la cultura en América Latina. Ciudad Autónoma de Buenos Aires: CLACSO. https://www.clacso.org/wp-content/uploads/2021/11/Diccionario-terminos-criticos.pdf
  • FERNÁNDEZ, Teodosio; MILLARES, Selena y BECERRA, Eduardo (1995), Historia de la literatura hispanoamericana. Madrid: Universitas.
  • GILBERT, Abel (2021), Satisfaction en la ESMA. Buenos Aires: Gourmet Musical.
  • GOIC, Cedomil (1988), Historia y crítica de la literatura hispanoamericana, Barcelona: Crítica, vols., I y II.
  • GOLUBOV, Nattie (ed. y coord.) (2024), Arte-factos Para los estudios literarios. Ciudad de México: Universidad Nacional Autónoma de México.
  • GONZÁLEZ ECHAVARRÍA, Roberto y PUPO-WALKER, Enrique (2006), Historia de la literatura hispanoamericana. 2 volúmenes. Madrid: Gredos.
  • HENRÍQUEZ UREÑA, Pedro (2007), Historiografía cultural hispanoamericana. Madrid: Verbum.
  • LAMUS, Marina. (2010), Geografías del teatro en América Latina. Un relato histórico. Bogotá: Luna Libros.
  • LIUT, Martin (2024), El país de las canciones. De Charly y Evita a María Becerra y Trueno. Buenos Aires: Gourmet Musical.
  • MARTÍNEZ VALDERAS, Jara; SAURA-CLARES, Alba y LUQUE, Diana (2023), Teatro y artes escénicas en el ámbito hispánico. Siglo XXI. Escenas en diálogo. Madrid: Cátedra.
  • MENTON, Seymour (2002), Caminata por la narrativa latinoamericana. México, F.C.E.-Xalapa: Universidad Veracruzana.
  • MIGNOLO, Walter (2008), "El pensamiento des-colonial, desprendimiento y apertura: un manifiesto". Revista Telar, nº 6, pp. 7-38.
  • MIGNOLO, Walter (2013), "Geopolítica de la sensibilidad y del conocimiento. Sobre (de)colonialidad, pensamiento fronterizo y desobediencia epistémica". Revista de Filosofía, nº 74.
  • MUGUERCIA, Magaly (2010), Teatro latinoamericano del siglo XX. Primera modernidad (1900-1950). RIL Editores.
  • OVIEDO, José Miguel (2001), Historia de la literatura hispanoamericana. 4 vol. Madrid: Alianza.
  • POBLETE, Juan (ed.) (2021), Nuevos acercamientos a los estudios latinoamericanos: cultura y poder. Ciudad Autónoma de Buenos Aires: CLACSO y México, UNAM. Disponible en <http://biblioteca.clacso.edu.ar/clacso/se/20211006114458/Nuevos-acercamientos.pdf>.
  • RAMA, Ángel (1982), Transculturación narrativa en América Latina, México:Siglo XXI.
  • ROJAS MIX, Miguel (1991), Los cien nombres de América. Eso que descubrió Colón. Barcelona: Lumen.
  • TODOROV, Tzvetan (2010), La conquista de América. El problema del otro. Madrid, Siglo XXI Editores.
  • VVAA (2009), Diccionario de Estudios culturales latinoamericanos. México: Siglo XXI. Disponible en http://elpaginaslibres.files.wordpress.com/2009/12/diccionario-de-estudios-culturales-latinoamericanos.pdf


Software

Microsoft Teams.

Course groups and languages

The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE

Type of teaching Group Language Semester Shift
(TE) Theory 1 Spanish second semester morning-mixed
(PAUL) Classroom practices 1 Spanish second semester morning-mixed