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Audiovisual Languages

Code: 104983
Credits: 6
2026/2027
Degree programme Type Course
Journalism FB 1

Contact lecturer

Name :
Iliana Ferrer Rodriguez
Email :
iliana.ferrer@uab.cat

Teaching staff

Marta Narberhaus Martinez

Group languages

You can consult this information at the end of the document.

Prerequisites

No prerequisite is required.

Objectives

This course provides the general concepts and theoretical foundations of audiovisual language as an effective tool for producing messages and journalistic content. It is the students' first approach to sound and audiovisual language, exploring its characteristics, potential, and limitations from a critical and applied perspective.

The main objectives of the course are:

  • To provide students with the basic concepts and specific vocabulary of audiovisual language, applying them in the creation of non-fiction, multi-format audiovisual products.
  • To foster the acquisition of skills in the production of communicative products, promoting teamwork in a professional, inclusive, and collaborative manner.
  • To encourage critical analysis of audiovisual language and its impact on the social and media environment, through awareness of global challenges in local contexts.
  • To adapt theoretical knowledge to real-world projects through active methodologies, such as Challenge-Based Learning (CBL), that connect the classroom with the professional environment.
  • To contribute to students' professional development by creating a portfolio with tangible products as evidence of their experience and acquired skills.
  • To assess the collaborative process of creating, producing, and promoting communicative content, as well as the outcomes achieved and the understanding of the challenges addressed

Learning outcomes

  • CM01 (Assess changes in the media ecosystem and emerging technologies, identify their implications on the profession of journalism and propose innovative solutions to the news challenges of the twenty-first century.) Assess changes in the media ecosystem and emerging technologies, identify their implications on the profession of journalism and propose innovative solutions to the news challenges of the twenty-first century.
  • CM02 (Propose journalistic media strategies adapted to different sociopolitical and technological contexts, and guarantee the news rigour and quality of the contents.) Propose journalistic media strategies adapted to different sociopolitical and technological contexts, and guarantee the news rigour and quality of the contents.
  • KM03 (Recognise the audiovisual languages and information and communication technologies applied in the media, and explain their influence on the production and dissemination of journalistic contents.) Recognise the audiovisual languages and information and communication technologies applied in the media, and explain their influence on the production and dissemination of journalistic contents.
  • SM02 (Use ethical principles when producing contents and practising journalism through the regulatory and deontological framework of communication.) Use ethical principles when producing contents and practising journalism through the regulatory and deontological framework of communication.

Contents

1. Introduction to the fundamentals of audiovisual languages

2. Creation of the audiovisual space

3. Creation of the sound space

4. Image composition

5. Production of audiovisual content

Learning activities and methodology

Title Hours ECTS Learning outcomes
Readings, preparation of practices, preparation of tests 87 3.48
Tutorials 10.5 0.42
Lectures 15 0.6
Practical activities 33 1.32

The course combines lectures, practical sessions, supervised activities, and independent work. The Challenge-Based Learning (CBL) methodology will be implemented, guiding the formative activities of the course, with the exception of the theoretical exam.

CBL involves tackling real-world challenges/problems posed by local organizations or institutions. Based on these challenges, students will work in teams to propose possible solutions, following a process divided into three phases: Connection/Commitment, Research/Prototyping, and Implementation/Evaluation. This methodology connects theory with practice by working with real case studies, fosters collaborative work, and helps develop key skills for professional practice.

Theoretical sessions will present the course content, providing the necessary elements to address the challenge and practical tasks. Practical work will be oriented toward the production of deliverables linked to the development of the challenge, under the supervision of the teaching staff. The design and production of practical exercises and proposed solutions will be part of the students’ independent work.

An individual written exam will be held to assess the level of theoretical knowledge acquired and the ability to apply it.

Students may request additional tutorials with the teaching staff during the course.

The course content will be sensitive to issues related to gender perspective and the use of inclusive language.

A detailed schedule outlining the content of each session will be presented on the first day of the course and will be available on the course’s Virtual Campus, where students will find the various teaching materials deemed appropriate by the instructors and necessary information for effective course monitoring. Should the teaching modality change for reasons of force majeure according to the competent authorities, the teaching staff will inform students of any modifications to the course schedule and teaching methodologies.

Annotation: within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.

Assessment

Continuous assessment activities

Title Weight Hours ECTS Learning outcomes
Laboratory practices 60% 3 0.12 CM01, CM02, KM03, SM02
Written test 40% 1.5 0.06 CM01, KM03

Given the practical nature of this course, a single final assessment is not considered.

Incorporating the Challenge-Based Learning (CBL) methodology, continuous assessment will be applied, gathering evidence of the work carried out in each learning activity and across the various phases of the process in a transversal manner. This evaluation will be complemented by reflection on both individual and group progress, assessing the learning outcomes.

The competencies of this course will be assessed through the following activities:

A. Laboratory practices, deliverables (60%)

B. Written test, exercises related to theoretical content, reports, and active participation (40%)

In order to pass the course, it is mandatory to complete all scheduled practical activities. The final grade will be the sum of the scores obtained in both the practical tasks and the written test. To qualify for this weighted average, students must independently pass both components (practical and theoretical). No average will be calculated if either component is graded below 5.

Revaluation:

Students will be entitled to reassessment in the course if they have been evaluated on a set of activities accounting for at least two-thirds of the total course grade.

Students who have followed the continuous assessment and failed the written test (theoretical part) may retake it, provided they obtained a minimum score of 3.5 on the test and attended the regular review session. The grade obtained in the revaluation will be the final grade for that component.

The practical part of the course cannot be retaken, due to the complexity of its group-based and sequential development, except in duly justified and approved exceptional cases.

Artificial Intelligence:

In this course, the use of Artificial Intelligence (AI) technologies is permitted as an integral part of the work development, provided that the final outcome demonstrates a significant contribution by the student in terms of analysis and personal reflection. Students must clearly identify any content generated using AI, specify the tools employed,

and include a reflection on how these technologies have influenced the process and the final result of the assignment.

Irregularities:

The performance of any irregularity in an evaluation act (academic fraud, plagiarism or improper use of AI, unless this use is expressly authorized by the teaching guide), which may lead to a significant variation in the grade, assumes that this act will be graded with a 0. In the event that the teaching guide foresees that in order to pass the subject it is an essential requirement to have obtained a minimum grade in this evaluation act or that there are several irregularities in the evaluation acts of the same subject, the final grade of this subject is 0. Apart from this, a disciplinary process may be instructed to the student that incurs any of these irregularities.

Any student suspected of submitting assignments that have been generated by AI, written by others or copied; include unattributed AI-generated content, or fall

outside the permitted scope, may be asked to provide the preliminary work or other materials that can demonstrate it is original work and the result of their own authorship. They may also be asked to separately explain or justify their work. Teachers may also use AI detection systems or carry out any verification tasks they deem appropriate. If, after review, the instructor detects irregularities, the assignment may be graded zero, and the student may be subject to further disciplinary action.

Bibliography

Fundamental Literature

- Balsebre, Armand (2004). El lenguaje radiofónico. 4a edició. Madrid: Cátedra.

- Barroso, Jaime (2008). Realización audiovisual. Madrid: Síntesis.

- Cancho García, Nuria E. & García Torres, Marco A. (2018). Planificación de proyectos audiovisuales.Publicaciones Altaria: Barcelona. (Cap 3, 4, 6)

- Castillo, José María (2016). Televisión, realización y lenguaje audiovisual. Madrid: Instituto RTVE. (Cap 1, 5, 7, 10, 12)

- Cebrián Herreros, Mariano (1995). Información audiovisual: concepto, técnica, expresión y aplicaciones. Madrid: Síntesis.

- Ferrer, Iliana; Narberhaus, Marta; Ángel-Torres, Alejandro & Perez-Narvaez, Catherine (2025). El Centro 2025: proyecto transmedia colaborativo (BCN/CDMX/BOG). Guía para el desarrollo del proyecto. 30 pag. https://ddd.uab.cat/record/323591

- Franco, Fernando (2017). Narrativa y Lenguaje Cinematográfico. Guía Didáctica. ECAM.

- Gutiérrez, Maria; Perona, Juan José (2002). Teoría y técnica del lenguaje radiofónico. Barcelona: Bosch.

- Jenkins, Henry (2008). Convergence Culture: La Cultura de la Convergencia de los Medios de Comunicación. Paidos Ibérica

- Millerson, Gerarld (2009). Realización y producción en televisión. Barcelona: Omega.

- Navarro-Güere, Héctor (2023). El vídeo en formato vertical. Una revisión de la literatura en comunicación. Revista Mediterránea de Comunicación/Mediterranean Journal of Communication, 14(1), 69-81. https://www.doi.org/10.14198/MEDCOM.23028

- Rabiger, Michael (2000). Dirección Cinematográfica. Técnica y Estética. 2 edición. 2000, IORTV, RTVE

- Ryan, M.L. (2001). Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Johns Hopkins University Press, USA.https://dl.acm.org/doi/10.5555/600034

- Rodero, Emma (2005). Producción radiofónica. Madrid: Cátedra.

- Scolari, Carlos A. (2013). Narrativas Transmedia: Cuando todos los medios cuentan. Barcelona: Deusto

Complementary Literature

- Beltrán Moner, Rafael (1984). La ambientación musical. Madrid: IORTV.

- Brown, Larry A (2018). How Films Tell Stories. The Narratology of Cinema. Creative Arts Press

- Castillo, José Maria (2016). Televisión, realización y lenguaje audiovisual. Madrid: Instituto RTVE.

- Chion, Michel (1993). La Audiovisión. Introducción a un análisis conjunto de la imagen y el sonido. Barcelona: Paidós.

- Fernández, Federico; Martínez, José (1999). Manual básico de lenguaje y narrativa audiovisual. Barcelona: Paidós,

- Morales Morante, Fernando (2013). Montaje audiovisual. Teoria, técnica y métodos de control. Barcelona: UOC.

- Zabaleta, Iñaki (2005). Teoría y lenguaje de la información en la TV y la radio. Barcelona: Bosch Comunicación.

Software

Students are expected to have basic knowledge of certain software, such as text editors (e.g., Word), video editors (Da Vinci, Premiere, etc.), audio editors (Audacity, Zara Studio, etc.), online collaborative tools (Google Docs, Gmail, Microsoft Teams, etc.), and multimedia hosting and distribution platforms (YouTube, Soundcloud, etc.).

It is recommended to consult the tutorials available on the Faculty’s website to become familiar with the software used in the audiovisual laboratories: https://www.uab.cat/web/coneix-la-facultat/serveis-de-la-facultat/laboratoris-audiovisuals/tutorials-videos-laboratoris-audiovisuals-fcc-1345828154136.html

Course groups and languages

The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE

Type of teaching Group Language Semester Shift
(TE) Theory 1 Spanish second semester morning-mixed
(TE) Theory 2 Catalan second semester morning-mixed
(PLAB) Practical laboratories 11 Spanish second semester morning-mixed
(PLAB) Practical laboratories 12 Catalan second semester morning-mixed
(PLAB) Practical laboratories 13 Catalan second semester morning-mixed
(PLAB) Practical laboratories 21 Catalan second semester morning-mixed
(PLAB) Practical laboratories 22 Catalan second semester morning-mixed
(PLAB) Practical laboratories 23 Catalan second semester morning-mixed