
Art Direction
Code: 103145Credits: 6
| Degree programme | Type | Course |
|---|---|---|
| Advertising and Public Relations | OP | 4 |
Contact lecturer
- Name :
- David Badajoz Dávila
- Email :
- david.badajoz@uab.cat
Group languages
You can consult this information at the end of the document.
Prerequisites
It's recommended to have passed the cours in Design in Advertising and from the second year.
Otherwise (Erasmus, Socrates, visitor etc): basic design knowledge is required, as well as design software knowledge (Affinity Publisher, Affinity Photo, Indesign, Illustrator and Photoshop).
Objectives
Main objective:
Developing creative strategies in graphic design supports in order to create advertising messages.
At the end of the course, the student will be able to (specific objectives):
a. Demonstrate the necessary skills and knowledge to graphically develop advertising ideas with maximum efficiency and effectiveness.
b. Demonstrate a maximum level of knowledge of the elements that are considered adequate in art direction, and advertising graphic design, as well as using them in a technically correct, effective and efficient manner.
c. Demonstrate knowledge and analyse trends in graphic design and advertising communication, which mark the main lines of current advertising.
d. Demonstrate solvency in the structuring of advertising messages, from a formal perspective, experimenting with the construction of visual and audiovisual graphic pieces.
Learning outcomes
- CM15 (Devising creative and persuasive messages that respond to the communication needs of advertising agencies without violating the democratic values or the fundamental rights of the public.) Devising creative and persuasive messages that respond to the communication needs of advertising agencies without violating the democratic values or the fundamental rights of the public.
- KM18 (List the optimal expressive resources of written, graphic, and audiovisual languages to construct original and attractive messages.) List the optimal expressive resources of written, graphic, and audiovisual languages to construct original and attractive messages.
- KM19 (Recognise the limits and opportunities of technology in the distinct stages of the creative process.) Recognise the limits and opportunities of technology in the distinct stages of the creative process.
- SM15 (Produce advertising and public relations messages that respond to the needs of clients and consumers using both conventional and emerging technologies.) Produce advertising and public relations messages that respond to the needs of clients and consumers using both conventional and emerging technologies.
Contents
Module 1: Introduction to Art Direction
- Role and responsibilities of the Art Director
- Position within creative teams and advertising agencies
- Core technical and conceptual skills
- Art Director as strategic creative
Module 2: Visual Communication and Design Principles
- Psychological and cognitive models of visual perception
- Typography, colour theory and visual hierarchy
- Grid systems and layout design
- Visual coherence, clarity and message delivery
Module 3: Visual Thinking and Concept Development
- Creative tools and structured ideation techniques
- Narrative structures and visual storytelling
- Rhetorical figures and symbolic representation
- Briefing analysis and concept development strategies
Module 4: Brand Identity
- Visual identity as a multidimensional communication system
- Branding strategies in contemporary advertising
- Portfolio creation, contextualization and presentation
*Note: The course content will be sensitive to issues related to gender perspective and the use of inclusive language.
Learning activities and methodology
| Title | Hours | ECTS | Learning outcomes |
|---|---|---|---|
| Works. Development campaigns and art direction designs. | 82.5 | 3.3 | CM15, KM18, KM19, SM15 |
| Theory. Activities related to the in-class explanations. | 15 | 0.6 | KM18, KM19 |
| Tutorships. Follow-ups. Corrections on the deliveries. | 7.5 | 0.3 | CM15, KM18, KM19, SM15 |
| Activities. Briefings in group. Final designs individually. | 22.5 | 0.9 | CM15, SM15 |
| Theory. Theory of design. History of art direction. Examples. | 15 | 0.6 | KM19 |
Calendar Schedule
A detailed schedule for the course sessions will be presented on the first day of class and will also be available on the course Virtual Campus. There, students will find the teaching materials that the instructors consider appropriate, together with the information needed to follow the course properly. If the teaching format has to be changed for reasons of force majeure, in accordance with the decisions of the competent authorities, the teaching staff will inform students of any changes to the course schedule and teaching methods.
The face-to-face part of the course is organized into lectures, seminars, practical sessions and tutorials.
Lectures: sessions introducing the main concepts of art direction, advertising graphic design and visual communication, supported by the study of the recommended bibliography.
Seminars: individual or group work sessions focused on case analysis, creative problem-solving and the conceptual development of the assignments.
Practical sessions: specific exercises and activities aimed at developing the core skills of the course, especially ideation, visual composition, layout and the graphic development of advertising pieces.
Tutorials: monitoring and feedback on the work developed throughout the process, from the initial concept to the final presentation of the pieces.
Assessment
Continuous assessment activities
| Title | Weight | Hours | ECTS | Learning outcomes |
|---|---|---|---|---|
| Briefing 2 | 15 | 1 | 0.04 | CM15, KM18, KM19, SM15 |
| Briefing 5 | 15 | 1 | 0.04 | CM15, KM18, KM19, SM15 |
| Briefing 1 | 15 | 1 | 0.04 | CM15, KM18, KM19, SM15 |
| Written Test | 10 | 1 | 0.04 | KM18, KM19 |
| Briefing 4 | 15 | 1 | 0.04 | CM15, KM18, KM19, SM15 |
| Briefing 6 | 15 | 1.5 | 0.06 | CM15, KM18, KM19, SM15 |
| Briefing 3 | 15 | 1 | 0.04 | CM15, KM18, KM19, SM15 |
This course follows a continuous assessment system and does not provide for a single-assessment system.
The course includes the following assessment activities:
A. Written test on art direction (10%).
B. Six practical pieces in which students must demonstrate their knowledge, skills and attitudes through specific tasks (90% of the final course grade). These activities are listed in the assessment activities table.
Reassessment process
Students will be entitled to reassessment if they have been assessed on a set of activities accounting for at least two-thirds of the total course grade.
All assessment activities are eligible for reassessment.
Not assessable
Students will be awarded a “not assessable” grade if they have not submitted assessment activities accounting for at least two-thirds of the total course grade.
Second enrolment
Students taking the course for a second time may complete a single synthesis assessment consisting of the submission of the activities or rubrics not passed in the previous academic year.
The final course grade will correspond to the grade obtained in the synthesis assessment.
Plagiarism, irregularities and use of AI
Any irregularity in an assessment activity, including academic fraud, plagiarism or improper use of AI, unless such use has been expressly authorized in the course guide, that may lead to a significant change in the grade will result in a mark of 0 for that assessment activity. If the course guide establishes that a minimum mark in that assessment activity is required to pass the course, or if several irregularities occur in assessment activities within the same course, the final course grade will be 0. In addition, disciplinary proceedings may be initiated against any student who commits such irregularities.
In this course, the use of Artificial Intelligence (AI) technologies is permitted only for the generation of photographs, mock-ups or illustrations. Students must clearly identify which parts have been generated using these technologies, specify the tools used, and include a critical reflection on how they have influenced both the process and the final outcome of the activity. Failure to disclose the use of AI in an assessed activity will be considered a breach of academic integrity and may result in a partial or total penalty in the activity grade, or more serious sanctions in severe cases.
Any student suspected of submitting work generated by AI, produced by other people or copied; including unattributed AI-generated content; or falling outside the permitted uses may be asked to provide preliminary work or other materials demonstrating that the work is original and the result of their own authorship. They may also be asked to explain or justify their work separately. The teaching staff may also use AI-detection systems or carry out any verification procedures they deem appropriate. If irregularities are detected after review, the work may be awarded a mark of zero and the student may be subject to further disciplinary measures.
Assessable activities
Students will work in creative teams of three, following an advertising agency model. Practical design activities will take place in class using physical materials (paper, pencil, pen), and will serve as the basis for the assignments (briefings 1-6).
Bibliography
- Barry Pete (2008). The advertising concept Book. Thames & Hudson London.
- Blackwell, Lewis (1992) La Tipografía del siglo XX. GG. Barcelona
- Berzbach, Frank (2013) Psicología para creativos. Gustavo Gili. Barcelona
- Bhaskaran, Lakshmi (2007). El diseño en el tiempo. Blume. Barcelona
- Burtenshaw, Ken/ Mahon, Nik / Barfoot, Caroline (2007) Principios de publicidad. GG. Barcelona.
- Cesar Newton. (2002) Direçao de arte. Editorial Futura. Brasil
- Clavera Anna, (2007) De lo bello de las Cosas. GG. Barcelona.
- Contreras Fernando R. /San Nicolás Romera, César (2001) Diseño gráfico, creatividad y comunicación. Ediciones Blur.
- Dabner et al (2015). Diseño gráfico. Fundamentos y prácticas. BLUME
- Dabner, D., & Stewart, S. (2021). Diseño gráfico. BLUME (Naturart). ISBN: 8418459689
- Landa, Robin (2011). Diseño gráfico y publicidad. Anaya, Madrid
- Mazzeo, Cecilia. Diseño y sistema: bajo la punta del iceberg. BUENOS AIRES, Ediciones Infinito, 2017 https://bibcercador.uab.cat/permalink/34CSUC_UAB/1eqfv2p/alma991010498036406709
- Philips Peter L. (2004) Cómo crear el brief de diseño perfecto. Divone Eggs Publicaciones. Barcelona
- Quarante, Danielle (1992). Diseño Industrial 1. CEAC. Barcelona
- Quarante, Danielle (1992). Diseño Industrial 2. CEAC. Barcelona
- Roca, David (2001) “Una manifestación de la creatividad en publicidad: la dirección de arte”. En Creatividady Comunicación - núm. 6.2001
- Rom, Josep (2006) Del disseny gràfic a la publicitat. Trípodos. Barcelona.
- Rom, Josep (2006) Sobre la dirección d’art. Trípodos. Papers d’estudi. Barcelona
- Satué, Enric (1992) El diseño gráfico. Alianza Editorial. Madrid
- Tena, Daniel (2017) Diseño gràfico publicitario.Editorial Síntesis. Madrid.
- White, Alex W. (2009) The elements of graphic design. Allwort press. New York.
Software
Course groups and languages
The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE
| Type of teaching | Group | Language | Semester | Shift |
|---|---|---|---|---|
| (TE) Theory | 5 | Catalan | second semester | afternoon |
| (PLAB) Practical laboratories | 51 | Catalan | second semester | afternoon |