Logo

Education of Visual Arts in Early Childhood Education I

Code: 101992
Credits: 4
2026/2027
Degree programme Type Course
Early Childhood Education OB 3

Contact lecturer

Name :
Cloe Masotta Lijtmaer
Email :
cloe.masotta@uab.cat

Teaching staff

Cloe Masotta Lijtmaer
Mar Moron Velasco

Group languages

You can consult this information at the end of the document.

Prerequisites

No prerequisites are required to take this course.

Objectives

The main objectives of this course are:

  • To know the components of art and visual language.
  • Using art and visual language to express personal and collective understanding of cultures.
  • To perceive, interpret, create, express and produce art and visual languages
  • Applying learning and teaching strategies in the field of visual arts: image, object and space.
  • Developing experiences and create events for performative education through arts.

Learning outcomes

  1. Be familiar with the visual and plastic arts curriculum in different stages of infant education.
  2. Know the basics of the corporal expression curriculum at this stage as well as theories on the acquisition and development of relevant learning.
  3. Master audiovisual languages for use in education.
  4. Having the resources to promote artistic sensitivity and creativity.
  5. Using different languages (body, music and audio-visual) to express the learning acquired in the subject.
  6. Being able to use expressive languages of an artistic nature for educational purposes.
  7. Being able to promote emotional singularity in infant education.
  8. Having the capacity for self-criticism in the carrying out of the professional activity.
  9. Analyse the indicators of sustainability of academic and professional activities in the areas of knowledge, integrating social, economic and environmental dimensions.
  10. Propose ways to evaluate projects and actions for improving sustainability.

Contents

Section I. CULTURAL DIMENSION: Art and education foundations


1.1. Arts education in the human development of the person.


1.2. Relations between art and education.


1.3. Historical, social and cultural contexts


        1.3.1. The audiovisual society.


1.4. Artworks as a source of knowledge


        1.4.1. Perception, representation and interpretation of art.


 


Section II. PRODUCTIVE DIMENSION: Training in the practice of art


2.1. Visual thinking and artistic development: creative processes.


2.2. Practices and projects related to different cultural contexts and artistic movements.


2.3. Understanding and experimenting with the practice of art as a process of knowledge.

Learning activities and methodology

Title Hours ECTS Learning outcomes
Theoretical reflections: art and education 30 1.2
Design and art studio: art and visual language 30 1.2
Presentations by the professor / guest speakers / outings 12 0.48
Artistic creation processes 10 0.4
Proposals for artistic practice (seminars) 18 0.72

ACTIVITIES:

Autonomous

  • Reading of texts and viewing of audiovisual documentaries on the cultural dimension: art and education.
  • Artistic design and creation: the artistic creation processes will begin in the workshop (seminars) and can be continued independently in other spaces such as nature, the library, etc.
  • Visit to an art exhibition. This will be decided at the beginning of the course and will depend on the exhibitions scheduled in Barcelona at that time. Students will need to attend on their own and cover the cost of admission, if applicable.

Guided

Large Group

  • Lectures given by the professor.
  • Field trips to social, cultural, and/or educational institutions, with a reduced cost for students.
  • Conferences and workshops with guest professionals from the fields of early childhood education and contemporary art.

Seminars

  • Artistic practice: small group work sessions (maximum 25 students), supervised by faculty, where individual and group proposals specific to the subject area will be developed. These sessions will deepen the contents and themes explored in the large group.
  • Reflections based on texts and audiovisual documentaries related to the subject.
  • Work on the artistic creation process: analysis of both the process and the results.

Supervised

  • Individual or small-group tutorials to monitor the proposals (in-person or virtual).
  • Work on the artistic creation process: analysis of both the process and the results.

SPECIFIC MATERIAL FOR THE DEVELOPMENT OF ACTIVITIES

The sessions of this course are based on research and experimentation with materials by the students. This work requires investigation supported by image documentation and the recycling of materials for artistic education. Furthermore, the adopted methodology requires students to bring specific materials to class for the realization of artistic activities (brushes, paints, etc.).

The faculty will recommend the most suitable materials for the scheduled activities, aiming for affordability and the possibility of sharing among students. Mechanisms will be sought to ensure all students have access to the necessary materials, even in cases of limited personal resources.

Given the current context of climate emergency, scarcity of natural resources, and economic imbalance, the teaching team of the Didactics of Visual Expression Unit will promote artistic skills from an eco-social and ecofeminist perspective.

Priority will be given to the use of natural and recycled materials during workshop sessions and in individual and/or collective artistic creations. By using natural materials and creating resources from them, the aim is to generate environmental awareness among students, fostering sensitivity and critical thinking to perceive the natural and material environment around us, and to act in the face of attitudes, situations, and events that contribute to improving care for the planet.

Annotation: within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.

Assessment

Continuous assessment activities

Title Weight Hours ECTS Learning outcomes
Two-dimensional and three-dimensional artistic practices (Section II. Training in the practice of art). GROUP 20% 0 0 3, 4, 5, 6, 7, 8
Full contents of the Art education portfolio / web / diary (Section I and II). INDIVIDUAL 20% 0 0 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
Bidimensional and tridimensional art studio practices (Section II. Training in Art studio). INDIVIDUAL 40% 0 0 3, 4, 5, 6, 7, 8
Activities based on readings and viewings (Section I. Art and Education. CULTURAL DIMENSION. INDIVIDUAL 20% 0 0 1, 4, 7, 8, 9, 10

The course will be assessed continuously. Attendance is recommended, given the active and participatory methodology of the sessions.

SUBMISSIONS. Throughout the course there will be two submissions of assignments:

First submission:

GROUP 61: 28th October 2026.

GROUP 62: 5th November 2026

The activities to be submitted are:

  • Activities derived from the readings and viewings (Block I. Art and Education. CULTURAL DIMENSION). INDIVIDUAL
  • Complete structure and contents of the portfolio / website / artistic education journal (Blocks I and II). INDIVIDUAL



Second submission. This final submission will be accompanied by the final portfolio (both the content and the presentation will be assessed).

GROUP 61 and 62: 7th January 2027.

The activities to be submitted are:

  • Complete structure and contents of the portfolio / website / artistic education journal (Blocks I and II). INDIVIDUAL
  • Two-dimensional and three-dimensional artistic practices (Block II. Training in art practice. PRODUCTIVE DIMENSION). INDIVIDUAL
  • Two-dimensional and three-dimensional artistic practices (Block II. Training in art practice). GROUP


RESIT

Resubmission period:

GROUP 61:20th January 2027

GROUP 62: 21th January 2027.

The activities that can be resubmitted are:

  • Activities derived from the readings and viewings (Block I. Art and Education. CULTURAL DIMENSION). INDIVIDUAL
  • Two-dimensional and three-dimensional artistic practices (Block II. Training in art practice. PRODUCTIVE DIMENSION). INDIVIDUAL
  • Complete contents of the portfolio / website / artistic education journal (Blocks I and II). INDIVIDUAL

The activity that can't be resubmitted is:

  • Two-dimensional and three-dimensional artistic practices (Block II. Training in art practice). GROUP


The maximum grade for resit will be 5.


SINGLE ASSESSMENT.

Students may request a single assessment. This will take place for the GROUP 61 the 13th January 2027 and for the GROUP 62 the 14th January 2027.

  • The assessment tasks for students who opt for single assessment will be the same as for continuous assessment; however, group work will need to be completed individually.
  • The same resit system will apply to both continuous and single assessment.
  • The review process for the final grade will follow the same procedure as for continuous assessment.


The course instructor will specify the assignments to be submitted, their format, and the exact submission date (a tentative date is provided in the schedule).

Within the three weeks following the submission of the assessment evidence, students will be informed of their grades (via the virtual campus), and a date will be set for grade review and feedback on the assignments.

To pass this course, students must demonstrate strong general communication skills, both oral and written, as well as a good command of the course language(s) specified in the syllabus. The assessment will also consider teamwork and collaborative skills and will be sensitive to gender perspective issues.

As a mandatory requirement to pass the course, students must display attitudes and aptitudes compatible with the teaching profession, such as: active listening, responsibility, respect, active participation, cooperation, empathy, kindness, punctuality, non-judgmental behavior, ability to argue, appropriate use of electronic devices (mobile phone, laptop, etc.), and critical thinking. Conduct that promotes a friendly and positive classroom environment, based on democratic values and the respect and appreciation of diversity, will be required.

A student who has not handed in two thirds of the assessment tasks or who do not provide sufficient evidence for all of the activities will be considered as not assessable.

Copying or plagiarism of materials constitutes academic misconduct and will be penalized with a grade of 0. Any academic irregularity will result in a grade of 0 for the affected activity. If multiple irregularities are detected, the final grade for the course will be 0, and the student will not be eligible for reassessment.

Please note that “copying” refers to work that reproduces all or a substantial part of another person’s work, while “plagiarism” refers to presenting all or part of another author’s text as one’s own without properly citing the sources, whether in print or digital format.

In this course, the use of Artificial Intelligence (AI) technologies is permitted solely for support tasks such as bibliographic or information searches, text correction, or translation. Students must clearly identify which parts have been generated using AI, specify the tools used, and include a critical reflection on how these tools haveinfluenced the process and final result of the activity. A lack of transparency in the use of AI will be considered academic dishonesty and may lead to partial or full penalization of the activity’s grade, or more serious sanctions in severe cases.

Bibliography

Álvarez-Valdivia, I. M. i Morón-Velasco, M. (2022). Educar por medio del arte en una escuela multicultural. magis, Revista Internacional de Investigación en Educación, 15, 1-23. [Recuperat 01/02/22] https://revistas.javeriana.edu.co/index.php/MAGIS/article/view/32731

Atkinson, D. (2011). Art, Equality and Learning: Pedagogies Against the State. Sensepublishers

Bamford, A. (2009). El factor ¡wuau!. El papel de las artes en la educación. Barcelona: Octaedro

Blanco, V., & Cidrás, S. (2023). Educar a través del arte. Kalandraka.

Bosch, E. (2025), En terra de meravelles. Angle.

Bosch, E. (1998). El plaer de mirar: Museu del Visitant. Graó.

Carson, R. (2012). El sentido del asombro. Ediciones Encuentro S A.

Edwards, B. (2021). Aprender a dibujar con el lado derecho del cerebro. Urano.

Efland, A. (2002). Una historia de la educación del arte. Tendencias intelectuales y sociales en la enseñanza de las artes visuales. Paidós.

Eisner, E. (2004). El arte y la creación de la mente. Paidós.

Ewald, Wendy (2001). I Wanna Take Me a Picture. Lyndhurst Book

Eisner, E. (2005). Educar la visión artística. Paidós.

Freire, H. (2020). Patios vivos para renaturalizar la escuela. Octoedro.

Freire, H. (2026). Educar en verde. Cómo superar el déficit de naturaleza y cultivar el amor a la tierra. Paidós

Gardner, H. (2011). Educación artística y desarrollo humano. Paidós.

Gardner, H. (2019). Inteligencias múltiples. La teoría en la práctica. Paidós.

González, F. (2025). Dibujar con la naturaleza: Apuntes sobre educación artística. Cuadernos de pedagogía, (565). ISSN 0210-0630.

hooks,b. (2024). Ensenyar a transgredir. L'educació com a pràctica de llibertat. Eumo.

hooks, b. (2022). Ensenyar pensament crític. Raig Verd.

Hoyuelos, A. (2012). Les imatges fotogràfiques com a documentació narrativa. In-fàn-ci-a, 188, 7-14.

Iwai, K. (2003). La contribución de la educación artística en los niños.http://www.ibe.unesco.org/publications/Prospects/ProspectsPdf/124s/iwas.pdf

Louv, R. (2005). Last child in the woods. Algonquin Books

Mistral, G. (2017). Gabriela Mistral: Pasión por enseñar. Universidad de Valparaíso.

Morón, M. i París, G. (2016). Crear, imaginar, pensar. Perspectiva Escolar. Núm. 385- Gener/Febrer. Pàgs. 49-54

Morón, M. i Álvarez, I. (2021). Artistes que investiguen sobre multiculturalitat i altres temessocials. Educar a través de les arts. Dipòsit Digital de Documents de la UAB. https://ddd.uab.cat/record/239221?ln=ca

Munari, B. (2018). Fantasía. Gustavo Gili.

Neddo, N. (2019). El artista orgánico. Promopress

París, G. (2018). Art i joc, processos de creació a la infància. Infància, 225, 37-42.

París, G. i Morón, M. (2019). Quan l’art entra a l’escola la creativitat surt per la finestra. Guix, 453. 41-45.

Rodari, G. (2017). Escuela de fantasía. Blackie Books.

Torres, M. i Juanola, R. (1998). Dibuixar: mirar i pensar. Rosa Sensat.

Torres-Vega, S. (2023). Mediar el futuro: archivo y memoria en arte y educación. Los Libros de la Catarata.

Torres-Vega, S. (2024). Art Education As A Radical Act: Untold Histories of Education at MoMA. Routledge

Tullet, Hervé (2025). Colors. Cruïlla.

Ungerer, T. (2019). Així és la vida. Blackie Books.

Vecchi, V. (2013). Arte y creatividad en Reggio Emilia: El papel de los talleres y sus posibilidades en educación infantil. Ediciones Morata.

vv.aa (2024). Fora per fer Escola. Manifesta 15.

Wöfflin, H. (2011). Conceptos fundamentales de la Historia del Arte. Planeta.


WEB RESOURCES

Polièdrica Magazine https://www.poliedrica.cat/

Hoja de ruta para la Educación Artística. (2006). Recuperat de: http://portal.unesco.org/culture/es/ev.php-URL_ID=39546&URL_DO=DO_TOPIC&URL_SECTION=201.html

Morón, M. (2005). L’art del segle XX a l’escola. Recuperat de: http://www.marmoron.com/lartdelseglexxalescola/html/index.htm

National Art Education Association. NAEA. Recuperat de: www.naea-reston.org

Sociedad Internacional de Educación por el Arte. Insea. Recuperat de: http://insea.org/insea/sociedad-internacional-de-educaci%C3%B3n-por-el-arte

Unitat de Didàctica de les Arts Plàstiques. Facultat de CCEE. UAB. Recuperat de: http://www.uab.cat/servlet/Satellite/el-departament/didactica-de-les-arts-plastiques-1243492964927.html Enllaços de interés. Recuperat de: https://www.uab.cat/web/la-docencia/educacio-de-les-arts-visuals-1345742628701.html

Menció d'Educació Performativa de les Arts https://uab-my.sharepoint.com/:p:/g/personal/1104258_uab_cat/EXyNusKD9NhJm1nN7fD4PdgBdSXHoeKesIvqh1_gaOPMlQ?e=dEdZQP

Software

Video, audio and image editors.

Course groups and languages

The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE

Type of teaching Group Language Semester Shift
(TE) Theory 61 Catalan first semester morning-mixed
(TE) Theory 62 Catalan first semester afternoon
(PLAB) Practical laboratories 611 Catalan first semester morning-mixed
(PLAB) Practical laboratories 612 Catalan first semester morning-mixed
(PLAB) Practical laboratories 613 Catalan first semester morning-mixed
(PLAB) Practical laboratories 621 Catalan first semester afternoon
(PLAB) Practical laboratories 622 Catalan first semester afternoon
(PLAB) Practical laboratories 623 Catalan first semester afternoon