
Didactics of Music
Code: 100650Credits: 6
| Degree programme | Type | Course |
|---|---|---|
| Musicology | OP | 3 |
| Musicology | OP | 4 |
Contact lecturer
- Name :
- Mauricio Rey Garegnani
- Email :
- mauricio.rey@uab.cat
Teaching staff
- Mauricio Rey Garegnani
Group languages
You can consult this information at the end of the document.
Prerequisites
- Interest in the teaching and learning of music
- Willingness to learn through instrumental and vocal practice
Objectives
This course aims to examine the role that music should play in compulsory secondary education and to provide models and resources relevant to this educational context. To this end, it offers an introductory approach to the teaching and learning processes associated with musical practice in the classroom, providing theoretical, methodological, and practical tools for pedagogical reflection and professional action.
The course is structured around learning outcomes related to understanding the foundations of music education, analysing educational and curricular contexts, and the initial design of teaching proposals for secondary education, with a level of autonomy appropriate to an introductory undergraduate course.
The following objectives are proposed:
- O1 Reflect on the value of musical practice and music education as carriers of social and cultural meanings within the context of secondary education.
- O2 Identify and analyse the musical and pedagogical knowledge and skills required for teaching practice in compulsory secondary education.
- O3 Understand and analyse the current legal and curricular framework governing music education.
- O4 Identify and apply methodological resources and teaching strategies related to musical practice in the classroom.
Learning outcomes
- Summarising acquired knowledge about the origin and transformations experienced in its several fields of study.
- Produce correct, precise and clear argumental and terminological writing of knowledge acquired, both in the area of musical specialisation and dissemination.
- Applying the knowledge of cultural variability and its genesis to avoid ethnocentric projections.
- Solving problems autonomously.
- Establishing relationships between science, philosophy, art, religion, politics, etc.
- Confirm the educational, cultural and emotional value of music and of the content of this discipline taught in compulsory education and in further education, and fir this content into the framework of science, culture and art.
- Design and plan learning spaces where musical practice, reception and listening constitute the instrumental means for critical and aesthetic training of the musical ear.
- Identify specific contexts and situations in which it is possible to apply the different content which makes up the music curriculum in compulsory education and in further education.
- Evaluate the theoretical-practical developments of the teaching and learning of music.
- Analyse musical curricula in compulsory education and in further education and turn them into sequences of teaching activities work programmes.
- Adcquire criteria for the production, selection and use of materials for music teaching.
- Use ICT and integrate the technology in the music teaching and learning process.
- Understand evaluation as an instrument of regualtion and a stimulus of effort, and know and develop strategies and techniques for the evalution of music learning.
- Design and carry out formal and non-formal musical activities which contribute to making the school a place for participation and a meeting point for the promotion of culture in situ.
- Develop and promote the crossover between the content of the musical area proper and others from other areas of knowledge.
- Solve problems of a methodological nature in the area of musicology.
- Identify adequate teaching tools for the educational transfer of musicological knowledge acquired.
- Make a detailed assessment of the capacity for working in homogeneous or interdisciplinary research teams.
- Acquire skills for the organisation of working groups with adequate planning, division of tasks and methodological flexibility.
- Assess the impact of the difficulties, prejudices and discriminations that actions or projects may involve, in the short or long term, in relation to certain persons or groups.
- Explain the code of practice, whether explicit or implicit, in one's own area of knowledge.
- Critically analyse the principles, values and procedures the govern professional practice.
Contents
1. Music Education and Educational Thought (Music and Education)
- Music, culture, and schooling
- Purposes of music education in compulsory secondary education
- Enculturation and meaning-making within the school context
- Repertoire, canon, gender, and cultural diversity
- Adolescence and musical identity
- Teacher identity and professional competences
2. Organisation of Teaching and Learning
- The Catalan education system
- The LOMLOE regulatory framework and its implementation in Catalonia
- Competency-based music curriculum
- Fundamental concepts of instructional design
- Learning situations
- Curriculum planning and scheme of work design
- Competency-based assessment
3. Classroom Strategies and Resources
- Collective vocal practice
- School instrumental practice
- Musical creation and improvisation
- Applied music technology
- Introductory lesson design
- Analysis and discussion of practical cases
Learning activities and methodology
| Title | Hours | ECTS | Learning outcomes |
|---|---|---|---|
| Personal and group supervision | 10 | 0.4 | 4, 19 |
| Project Presentation and Oral Defense | 20 | 0.8 | 2, 14, 19 |
| Preparation of the reflective video | 3 | 0.12 | 5, 6, 20, 21, 22 |
| Preparation and completion of the practical case study | 6 | 0.24 | 11, 12, 17 |
| Design, development and preparation of the presentation of the project (work group) | 40 | 1.6 | 4, 7, 8, 10, 11, 13, 14, 16, 17, 18, 19 |
| Development of activities guided by the teacher | 45 | 1.8 | 1, 3, 5, 6, 8, 9, 10, 15, 17, 20, 21, 22 |
| Preparation for the written Test | 18.5 | 0.74 | 5, 6, 9, 10, 13 |
The course incorporates active, student-centred teaching and learning methodologies. Particular emphasis is placed on the analysis of practical cases, experiential learning linked to collective musical practice, and the use of flipped classroom strategies in selected content areas. Learning activities combine opportunities for analysis, critical reflection, instructional design, and the development of applied educational proposals, fostering collaboration, learner autonomy, and the integration of theory and educational practice.
A field visit to a secondary school in the vicinity of the UAB campus is planned as part of the course.
Note: In accordance with the timetable established by the Faculty/Degree Programme, 15 minutes of a class session will be allocated for students to complete the institutional surveys evaluating teaching performance and the course/module.
Assessment
Continuous assessment activities
| Title | Weight | Hours | ECTS | Learning outcomes |
|---|---|---|---|---|
| Class participation | Implicació o contribució a l'aula | 0.5 | 0.02 | 4, 18, 19 |
| Project (group work) | 30% | 3.5 | 0.14 | 2, 4, 7, 8, 10, 11, 14, 16, 17, 19 |
| Classroom activities | 20% | 1 | 0.04 | 1, 3, 5, 6, 9, 10, 13, 15, 21, 22 |
| Video reflexion (individual) | 10% | 0.5 | 0.02 | 5, 6, 9, 10, 20, 21, 22 |
| Case study on ICT | 15% | 1 | 0.04 | 11, 12, 17 |
| Evaluation written test (individual) | 20% | 1 | 0.04 | 5, 6, 9, 10, 13 |
Attendance, Participation and Engagement
Given the applied and experiential nature of the course, attendance and active participation in practical activities are essential for the development of the course learning outcomes.
The completion of certain assessment tasks requires situated participation, interaction with peers, and shared musical practice. For this reason, a minimum attendance requirement of 70% of the practical face-to-face sessions specified in the course schedule is established.
Meeting this minimum attendance requirement is a prerequisite for the assessment of those assessment components related to participation, classroom work, and shared musical practice. Failure to meet the minimum attendance requirement will prevent the assessment of these components.
Assessment Components
Assessment is composed of different assessment components that are evaluated separately. Continuous assessment is organised through a variety of activities (individual tests, analytical activities, classroom tasks, and project development), distributed throughout the semester and accompanied by monitoring and formative feedback processes aimed at supporting students’ learning progression.
The core assessment components of the course (written examination, practical case analysis, and project) are mandatory. Failure to submit any of these components will result in the impossibility of passing the course. In order to pass the course, these components must achieve a minimum grade of 4 and may be reassessed if not successfully completed.
The remaining assessment components contribute to the final course grade and are not eligible for reassessment. These components must achieve a minimum grade of 3.5. Components that do not reach this minimum grade will be considered not passed and will be recorded with a grade of 0 for the calculation of the final grade.
Feedback and grades for assessment activities will be communicated within a maximum of 10 days following submission, with the aim of supporting the monitoring and regulation of the learning process. At the time each assessment activity is assigned, the lecturer will inform students, through Moodle, of the procedure and date for reviewing grades.
The continuous assessment schedule will ensure that the final course grade is communicated to students at least 72 hours before the reassessment examination.
Reassessment
To be eligible for reassessment, students must have previously completed assessment activities representing at least two-thirds (2/3) of the total continuous assessment weighting.
The written examination and practical case analysis will be reassessed through a new individual examination or task. The project will be reassessed through the revision and resubmission of the failed components and, where appropriate, an additional oral presentation.
Reassessment will take place on the date established by the Department in accordance with the academic calendar for the second semester.
Exchange students requesting an alternative assessment date must provide official documentation issued by their home institution justifying the request.
“Not Assessed” Status
Students will receive a final grade of “Not Assessed” if they have not submitted more than 30% of the required assessment activities. This condition applies to both continuous assessment and single-assessment pathways.
Single Assessment
The single-assessment option consists of the completion of the core assessment components included in the continuous assessment pathway: a written examination, a practical case analysis, and a project.
Classroom activities, the reflective video task, and the assessment of participation and contribution to classroom activities are not included in the single-assessment pathway.
The 35% weighting assigned to these activities in continuous assessment will be redistributed as follows:
- Project: 50%
- Written examination: 30%
- Practical case analysis: 20%
The project must be completed individually and presented orally on the date established by the lecturer within the course schedule. The written examination and practical case analysis will take place on the date designated for single assessment.
To be eligible for reassessment under the single-assessment system, students must have completed all required assessment components.
The same passing and reassessment criteria apply as in the continuous assessment pathway.
Students opting for single assessment may participate in course activities throughout the semester; however, these activities will not contribute to the final grade.
Reassessment will take place on the date established by the Department and will coincide with the reassessment period for continuous assessment.
Choosing the single-assessment pathway does not exempt students from attendance requirements, given the practical nature of the course.
Additional Regulations
In accordance with the UAB Academic Regulations (Article 266.4), final grades of 4.9 obtained through continuous assessment will be rounded up to 5.0. In such cases, students will not be required to take the reassessment examination.
To pass the course, students must demonstrate an appropriate level of communicative competence, both oral and written. Linguistic accuracy, quality of writing, and formal presentation will be considered in all assessment activities. Students are expected to express themselves clearly and accurately and to demonstrate a sound understanding of academic texts.
Assessment tasks that do not meet these requirements may be returned ungraded or failed.
Plagiarism or copying in written assignments will result in a grade of 0 for the assessment task concerned, with no possibility of reassessment.
Where multiple instances of academic misconduct are detected, the final course grade will be 0.
All assignments must be submitted through the virtual learning environment (Moodle). Assignments submitted in incompatible formats, without clear authorship identification, or after the established deadline will not be accepted. Students are responsible for ensuring that submitted files are accessible and compatible.
The use of Artificial Intelligence (AI) technologies is permitted in this course as an integral part of coursework development, provided that the final result reflects a significant contribution by the student in terms of analysis and personal reflection. Students must: (i) identify which parts have been generated using AI; (ii) specify the tools used; and (iii) include a critical reflection on how these tools have influenced both the process and the final outcome of the activity. To do so, written assignments must include the Petra label declaring the use of AI: https://www.petraai.org/
Lack of transparency regarding the use of AI in an assessed activity will be considered a breach of academic honesty and will result in a grade of 0 for that activity, with no possibility of reassessment, or more severe sanctions in serious cases.
Should a student commit any irregularity that may lead to a significant alteration of the grade awarded for an assessment activity, that assessment activity will be graded 0, irrespective of any disciplinary proceedings that may be initiated. In the event of multiple irregularities in the assessment activities of the same course, the final grade for the course will be 0.
Any matters relating to assessment not covered in the present course guide will be governed by the assessment regulations and guidelines of the Universitat Autònoma de Barcelona.
(http://www.uab.cat/web/informacio-academica/avaluacio/normativa-1292571269103.html)
(http://www.uab.cat/web/informacio-academica/avaluacio/normativa-1292571269103.html)
Bibliography
The reading list has been designed to foreground the contributions of women scholars in the field.
Core Readings
- Carrillo Aguilera, Carmen, Viladot Vallverdú, Laia, & Pérez-Moreno, Jessica (2017). Impacto de la educación musical: Una revisión de la literatura científica. Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM, 14, 61-74. https://doi.org/10.5209/RECIEM.54828
- Davis, Robert. (2009). Educación musical e identidad cultural. Dins La educación musical para el nuevo milenio (Lines, David K., pp. 71-90). Ediciones Morata, S. L.
- Generalitat de Catalunya. (2022). Decret 175/2022, de 27 de setembre, d’ordenació dels ensenyaments de l’educació bàsica. Diari Oficial de la Generalitat de Catalunya, núm. 8762, 29 de setembre de 2022. Portal Jurídic de Catalunya
- Green, Lucy. (1997). The music curriculum and the possibilities for intervention. Dins Music, Gender, Education (pp. 230-258). Cambridge University Press. https://doi.org/10.1017/CBO9780511585456.009 Green, Lucy. (2008). Making music. Dins Music, informal learning and the school: A new classroom pedagogy (1a ed., pp. 41-66). https://doi.org/10.4324/9781315248523
- North, Adrian C., & Hargreaves, David J. (1999). Music and Adolescent Identity. Music Education Research, 1(1), 75-92. https://doi.org/10.1080/1461380990010107
- Regelsky, Thomas (2009). La música y la educación musical: Teoría y práctica para “marcar una diferencia”. Dins La educación musical para el nuevo milenio (Lines, David K., pp. 21-46). Ediciones Morata, S. L.
- Marti, Josep (2000). ¿Qué música es necesario enseñar en las escuelas? Dins Más allá del Arte: La música como generador de realidades sociales. (pp. 259-284). Deriva Ed.
- Zaragozá, Josep Lluis (2024). Las competencias musicales en primaria y secundaria: transcendiendo los límites del aula de música. Barcelona: Graó.
Supplementary Readings
- Escoda Domènech, Joan, & González-Martín, Cristina (2020). Conèixer l’altre: Una mirada intercultural des de l’aula de música. Temps d’Educació. https://doi.org/10.1344/TempsEducacio2020.58.12
- Casals, Albert; Fernández-Barros, Andrea i Viladot, Laia (2024) Claus de l’educació musical a Catalunya: Mirades des de la recerca (1a edició: desembre 2024). (2025). Graó.
- Casas, Amalia., & Pozo, Juán Ignació (2008). ¿Cómo se utilizan las partituras en la enseñanza y el aprendizaje de la música? Cultura y Educación, 20(1), 49-62. https://doi.org/10.1174/113564008783781503
- Hallam, Susan (2010). The power of music: Its impact on the intellectual, social and personal development of children and young people. International Journal of Music Education, 28(3), 269-289. https://doi.org/10.1177/0255761410370658
- Lamont, Alexandra (2011). The beat goes on: Music education, identity and lifelong learning. Music Education Research, 13(4), 369-388. https://doi.org/10.1080/14613808.2011.638505
- Serrano, Rosa María (2022). Aróstegui, José Luis, Rusinek, Gabriel, y Fernández-Jiménez, Antonio (Eds.). (2021). Escuelas musicales. Buenas prácticas docentes en centros de Primaria y Secundaria que educan a través de la música. Ediciones Octaedro. Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM, 19, 289-290. https://doi.org/10.5209/reciem.82702
- Small, Christopher. (1989). Música, sociedad, educación: Un examen de la función de la música en las culturas occidentales, orientales y africanas, que estudia su influencia sobre la sociedad y sus usos en la educación (2nd rev. ed). Alianza.
- Swanwick, Keith. (2021). Música, pensamiento y educación (4a. Ed.). Ediciones Morata, S. L.
Software
BandLab, music production platform, Music notation software
Websites of Interest for Educational Resources
- Music and Education Research Group (UAB): https://webs.uab.cat/musicaieducacio/
- DaCaTra – Recursos per a l’ensenyament de la música: https://sites.google.com/view/dacatra/inici
- TeleRmusica – Educational resources for music teaching and learning: https://www.telermusica.com/ca
Course groups and languages
The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE
| Type of teaching | Group | Language | Semester | Shift |
|---|---|---|---|---|
| (TE) Theory | 1 | Catalan | second semester | morning-mixed |
| (PAUL) Classroom practices | 1 | Catalan | second semester | morning-mixed |