Spanish Literature: Realism and Modernismo'
Code: 100593Credits: 6
| Degree programme | Type | Course |
|---|---|---|
| Spanish and Chinese Studies: Language, Literature and Culture | OB | 3 |
| English and Spanish Studies | OB | 3 |
| Catalan and Spanish Studies | OB | 3 |
Contact lecturer
- Name :
- Montserrat Amores Garcia
- Email :
- montserrat.amores@uab.cat
Teaching staff
- Rebeca Martín López
Group languages
You can consult this information at the end of the document.
Prerequisites
By obtaining the minimum of credits in basic training subjects, students have demonstrated to have acquired the basic competences and they will be able to express themselves orally and in writing.
It is also expected that students know the general rules of submission of an academic work. However, students could apply the specific rules that the teacher of the subject may indicate to them, if they deem it necessary.
Objectives
It is intended to offer an overview of the development of Spanish literature in its different genres from the Revolution of 1868 to the end of the first phase of the Restoration, in 1910. Therefore, the configuration of the essential aesthetic and literary movements of the period will be studied: the reception in Spain of Realism and Naturalism and its main productions during the seventies and eighties of the nineteenth century; the crisis of the end of the century and the reception, development, and exhaustion of Modernism in the first decade of the twentieth. This overview will be completed with the detailed study of key works of the different tendencies.
The purpose of the subject is that students acquire a general knowledge of the literary dynamics of the period, in order to learn how to distinguish between texts arising from different aesthetic approaches and exercise themselves in the analysis and commentary of texts and works of different genres, with the literary, social and political history of a specific period as a backdrop. Moreover, students must be familiar with the most important bibliography of the period, both in terms of editions of texts and studies. The aspects related to the gender perspective are taken into account in the content of the subject.
Learning outcomes
- Interpret literary works critically taking into account the relations between the different areas of literature and its relation to human, artistic and social areas.
- Use the adequate terminology in the construction of an academic text.
- Present work in formats adapted to demands and personal styles, both individual and in small groups.
- Select and gather together the basic critical biography for the field of study with the main works and authors for the subject.
- Analyse a situation and identify its points for improvement.
- Identify and analyse the main characteristics of literary genres from Spanish Realism and Modernism.
- Contextualise the literary production of the Realism and Modernism from an ideological and social viewpoint.
- Relate literary aspects of different works of Spanish literature from Realism and Modernism.
- Comment on a text from the period of Realism or Modernism with the figures of thought and expression.
Contents
- Realism and the European realist novel.
- The reception of realism and the development of the realist-naturalist novel in Spain. From the Revolution of 1868 to the Tragic Week.
- The reception of modernism in Spain.
- Poetry and theatre between 1895 and 1910.
Mandatory readings
Leopoldo Alas, Clarín, La Regenta, ed. by Rafael Rodríguez Marín, Barcelona, Castalia (Castalia Didáctica, 62); ed. by Sergio Beser and Rebeca Martín, Barcelona, Crítica (Biblioteca Clásica, 10); ed. by Juan Oleza, Madrid, Cátedra (Letras Hispánicas); ed. by Gonzalo Sobejano, Madrid, Castalia (Clásicos Castalia).
VV. AA., Antología de la poesía modernista española prepared by the teachers of the subject.
Ramón del Valle-Inclán, Romance de lobos. Comedias bárbaras III, ed. by Ricardo Doménech, Madrid, Espasa Calpe (Austral, 344); ed. de Margarita Santos Zas, Madrid, Alianza editorial.
Learning activities and methodology
| Title | Hours | ECTS | Learning outcomes |
|---|---|---|---|
| Tutorials | 10.5 | 0.42 | |
| Individual study and production of papers and analytical comments written | 75 | 3 | |
| Master classes and classroom practices | 60 | 2.4 |
The learning of this subject by the students is distributed as follows:
- Directed activities. These activities are divided into master classes and seminars and classroom practices led by the faculty, in which theoretical explanation is combined with discussion of all types of texts.
- Supervised activities. These tutorials are programmed by the teacher, dedicated to correcting and commenting on problems at different levels of literary analysis.
- Autonomous activities. These activities include both time devoted to individual study and production of papers and analytical comments written, as well as oral presentations.
- Evaluation activities. The evaluation of the subject will be carried out through written tests.
Assessment
Continuous assessment activities
| Title | Weight | Hours | ECTS | Learning outcomes |
|---|---|---|---|---|
| Second written test | 40 % | 1.5 | 0.06 | 1, 2, 3, 4, 5, 6, 7, 8, 9 |
| Essay or text commentary | 20% | 1.5 | 0.06 | 1, 2, 3, 4, 5, 6, 7, 8, 9 |
| First written tests | 40 % | 1.5 | 0.06 | 1, 2, 3, 4, 5, 6, 7, 8, 9 |
CONTINUOUS ASSESSMENT
To be eligible for a pass, students must complete all the required readings and obtain a final weighted average of 5 or higher across the assessed activities. The assessment for the course consists of three components:
1. A text commentary or the development of a topic related to the course material. The lecturer will provide the content of this task on the first day of class, and it will be completed in a session dedicated to this activity. (20%).
2. A written exam covering the material taught during the first half of the course (40%), which will include topics related to realism and the corresponding readings.
3. A second written exam covering the material taught during the second half of the course (40%), which will include topics related to modernism and the corresponding readings.
Exchange students wishing to take an exam in advance must submit a written request from their home university justifying their application.
Written expression must be appropriate in all assessment tasks. Students must produce a well-structured discourse, with fully developed, coherent paragraphs. Errors (in spelling, syntax, punctuation, unnecessary repetition, anglicisms, Catalanisms, etc.) will result in a deduction of 0.25 points per mistake. Any assessment with more than ten such errors will be graded as a Fail.
All coursework and submitted assignments must be original. Partial or full plagiarism of any external materials published in any format will not be accepted under any circumstances. Students must correctly acknowledge the authorship of all quotations and any use of external sources, following standard bibliographic citation practices. If requested by the lecturer, students must be able to provide the sources used (annotated articles and books, outlines, notes, etc.). The submission of non-original material without proper attribution or the inappropriate or incorrect use of bibliographic references will result in an automatic fail (mark of 0), with no possibility of reassessment.
If a student commits any form of misconduct that may significantly alter the result of an assessment task, the work in question will be marked with a 0, regardless of any disciplinary proceedings that may follow. If multiple instances of misconduct are confirmed in the assessment tasks for the same course, the final grade for the course will be a 0.
The use of artificial intelligence (AI) technologies is permitted exclusively in the preparation process for the text commentary or thematic development task. The use of AI technologies for text generation is not allowed. If such technologies are used, the student must: (i) identify the sections generated using AI; (ii) specify the tools used; and (iii) include a critical reflection on how these tools influenced the process and final outcome. A lack of transparency in the use of AI in this assessed activity will be regarded as academic dishonesty and will result in the task being graded with a 0 and deemed non-recoverable, or may lead to more severe penalties in serious cases.
Furthermore, the lecturer may invite the student to an individual tutorial in order to verify that any use of AI has been transparent, responsible and in accordance with the conditions set out in this teaching guide.
At the time of each assessment activity, the lecturer will inform students (via Moodle) of the procedure and date for reviewing marks.
Students may resit the course provided they meet the following requirements:
a) Have completed at least 2/3 of the assessed activities, that is, both written exams on course content and readings [40% + 40%].
b) Have obtained a minimum average mark of 3.5 in the continuous assessment.
c) The commentary [20%] is not subject to resit. If the student did not complete the text commentary, this component will be awarded a mark of zero for the purpose of calculating the weighted average.
The mark obtained in the resit will replace the failed component for the purpose of calculating the final course grade.
Students will obtain a not assesseded/not submitted course grade unless they have submitted more than 30% the asessment items.
SINGLE ASSESSMENT
The date of the single assessment will be announced during the first days of the course on the Virtual Campus.
To be eligible for a pass, students must have completed all the required readings and complete the following assessment tasks:
1. A text commentary or the development of a topic related to the course material. The lecturer will provide the content of this task on the first day of class, and it will be completed in a session dedicated to this activity. (20%).
2. A written exam covering the material taught during the first half of the course (40%), which will include topics related to realism and the corresponding readings.
3. A second written exam covering the material taught during the second half of the course (40%), which will include topics related to modernism and the corresponding readings.
The same resit system as that used for continuous assessment will apply.
All other provisions regarding written expression, plagiarism, exam review, resits, and the “Not assessed” classification shall follow the rules established for continuous assessment.
Bibliography
The specific bibliography of the authors and topics studied will be provided throughout the course.
Alonso, Cecilio (2010), Historia de la literatura española. 5: Hacia una literatura nacional. 1800-1900, Barcelona, Crítica.
Andreu Miralles, Xavier (2016), El descubrimiento de España. Mito romántico e identidad nacional, Madrid, Taurus.
Allegra, Giovanni (1986), El reino interior. Premisas y semblanzas del modernismo en España, Madrid, Encuentro.
Arbona, Guadalupe y Paloma Falconi, eds. (2014), Vasijas de barro. La figura del sacerdote en la literatura contemporánea, Madrid, Encuentro.
Beser, Sergio (1968), Leopoldo Alas, crítico literario, Madrid, Gredos.
____ (2010), «Verba manent». Estudios y ensayos literarios, Vigo, Editorial Academia del Hispanismo.
Blom, Philipp (2010), Años de vértigo. Cultura y cambio en Occidente, 1900-1914, Anagrama, Barcelona.
Cantos Casenave, Marieta (2026), Cecilia Böhl Larrea, Fernán Caballero, Madrid, Cátedra.
Coletes Blanco, Agustín, coord. (2002), Clarín, visto en su centenario (1901-2001): seis estudios críticos sobre Leopoldo Alas y su obra, Oviedo, Real Instituto de Estudios Asturianos.
Correa Ramón, Amelina (2006), Hacia la re-escritura del canon finisecular: nuevos estudios sobre las direcciones del modernismo, Granada, Editorial universidad de Granada.
Díaz Lage, Santiago (2020), Escritores y lectores de un día todos. Literaturas periódicas en la España del siglo XIX, Zaragoza, Prensas de la Universidad de Zaragoza.
Dorca, Toni (2004), Volverás a la región. El cronotopo idílico en la novela española del siglo XIX, Madrid, Iberoamericana.
D’Ors, Miguel (2005), Postrománticos, modernistas, novecentistas. Estudios sobre los comienzos de la literatura española contemporánea, Sevilla, Renacimiento.
Durand, Frank, ed. (1988), “La Regenta” y Leopoldo Alas, Madrid, Taurus.
Establier, Helena, ed. (2023), El corazón en llamas: cuerpo y sensualidad en la poesía española escrita por mujeres (1900-1968), Madrid/Frankfurt am Main, Iberoamericana/Vervuert.
Frau, Juan (2018), Poética del folletín. La fórmula del relato inacabable, Sevilla, Editorial Universidad de Sevilla.
García Sarriá, Francisco (1975), Clarín o la herejía amorosa, Madrid, Gredos.
González Soriano, José Miguel, coord. (2022), Rostros y voces de mujeres de la Edad de Plata [dossier monográfico]. Lectora. Revista de dones i textualitat, nº 28.
Huerta Calvo, Javier, ed. (2003), Historia del teatro español, Madrid, Gredos, vol. 2.
Jagoe, Catherine, Alda Blanco y Cristina Enríquez de Salamanca, (1998), La mujer en los discursos de género, Barcelona, Icaria.
Labanyi, Jo (2011), Género y modernización en la novela realista española, Madrid, Ediciones Cátedra-Universitat de València-Instituto de la Mujer.
Lavaud, Jean-Marie (1992), El teatro en prosa de Valle-Inclán (1899-1914), Barcelona, PPU.
Lissorgues, Yvan, ed. (1988), Realismo y naturalismo en España en la segunda mitad del siglo XIX, Barcelona, Anthropos.
____, Leopoldo Alas (2007), Clarín en sus palabras (1852-1901). Biografía, Oviedo, Ediciones Nobel.
Litvak, Lily, ed. (1981), El Modernismo, Madrid, Taurus (El escritor y la crítica), 2ª ed.
López, Ignacio Javier (2014), La novela ideológica (1875-1880). La literatura de ideas en la España de la Restauración, Madrid, Ediciones de la Torre.
Mainer, José-Carlos (1981), La edad de plata (1902-1939). Ensayo de interpretación de un proceso cultural, Madrid, Cátedra, 2ª edición.
___ ed. (1979), Modernismo y 98, tomo 6 de la Historia y crítica de la literatura española, Barcelona, Crítica.
___ (1994), Modernismo y 98. Primer suplemento, tomo 6/1 de la Historia y crítica de la literatura española, Barcelona, Crítica.
___ (2010), Historia de la literatura española. Modernidad y Nacionalismo (1900-1939), Barcelona, Crítica.
___ (2012), La escritura desatada. El mundo de las novelas, ed. muy ampliada, Palencia, Menoscuarto.
Martínez Cachero, José María, ed. (1978), Leopoldo Alas «Clarín», Madrid, Taurus (El escritor y la crítica).
Martinón, Miguel (2016), Era obra de su tiempo. Texto y contexto de «La Regenta», Madrid, Verbum.
Martykánova, Darina y Marie Walin, coords. (2023), Ser hombre. Las masculinidades en la España del siglo XIX, Sevilla, Editorial Universidad de Sevilla.
Mascarell, Purificació y Verònica Zaragoza Gómez, coords. (2022), "Canon, género y escritura: el rescate de las mujeres de la Edad de Plata español" [dossier monográfico], Impossibilia. Revista Internacional de Estudios Literarios, n.º 23.
Naupert, Cristina (2002), La tematología comparatista entre teoría y práctica: la novela de adulterio en la segunda mitad del siglo XIX, Madrid, Arco/Libros, 2001.
Ocampos Palomar, Emilio y Dolores Romero López, eds. (2024), El feminismo en la literatura de la Edad de Plata, Sevilla, Ediciones Complutense/Editorial Renacimiento.
Oliva, César (2002), Teatro español del siglo XX, Madrid, Síntesis.
Plaza, Inmaculada (2015), Modelos de identidad en la encrucijada: imágenes femeninas en la poesía de las escritoras españolas 1900-1936, Málaga, Publicaciones de la Universidad.
Pratt, Dale J. (2001), Signs of Science. Literature, Science, and Spanish Modernity since 1868, West Lafayette, Purdue University Press.
Romero Tobar, Leonardo, coord. (1996), Siglo XIX (II), Tomo 9 de la Historia de la literatura española dirigida por Víctor García de la Concha, Madrid, Espasa Calpe.
Rubio Cremades, Enrique (2001), Panorama crítico de la novela realista-naturalista española, Madrid, Castalia.
Sáez Martínez, Begoña (2004), Las sombras del modernismo. Una aproximación al decadentismo en España, Valencia, Institució Alfons el Magnànim.
Sánchez, Raquel (2019), Señoras fuera de casa. Mujeres del XIX: la conquista del espacio público, Madrid, Catarata.
Ruiz Ramón, Francisco (1971), Historia del teatro español, Madrid, Alianza, 2 vols,
Siebenmann, G. (1973), Los estilos poéticos en España desde 1900, Madrid, Gredos.
Sánchez Llama, Íñigo (2000), Galería de escritoras isabelinas. La prensa periódica entre 1833 y 1895, Madrid, Ediciones Cátedra-Instituto de la Mujer, Madrid.
Sobejano, Gonzalo (1985), Clarín en su obra ejemplar, Madrid, Castalia, 1985.
Sotelo Vázquez, Adolfo (2002), El naturalismo en España. Crítica y novela, Salamanca, Almar.
Torres Nebrera, Gregorio (2002), Las «Comedias Bárbaras» de Valle-Inclán. Guía de lectura, Madrid, Ediciones de la Torre.
Zavala, Iris M., ed. (1982), Romanticismo y realismo, tomo 5 de Historia y crítica de la literatura española, Barcelona, Crítica.
___ (1994), Romanticismo y realismo. Primer suplemento, tomo 5/1 de Historia y crítica de la literatura española, Barcelona, Crítica.
Sociedad de Literatura Española del Siglo XIX (Biblioteca Virtual Miguel de Cervantes).
Pedro Antonio de Alarcón (Biblioteca Virtual Miguel de Cervantes)
Leopoldo Alas (Biblioteca Virtual Miguel de Cervantes)
Emilia Pardo Bazán (Biblioteca Virtual Miguel de Cervantes)
José María de Pereda (Biblioteca Virtual Miguel de Cervantes)
Juan Valera (Biblioteca Virtual Miguel de Cervantes)
Juan Ramón Jiménez (Centro Virtual Cervantes)
Juan Ramón Jiménez (Biblioteca Virtual Miguel de Cervantes)
Cátedra Valle-Inclán (Biblioteca Virtual Miguel de Cervantes)
El Pasajero. Revista de Estudios sobre Ramón del Valle-Inclán
Software
Moodle and Teams
Course groups and languages
The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE
| Type of teaching | Group | Language | Semester | Shift |
|---|---|---|---|---|
| (TE) Theory | 2 | Spanish | first semester | morning-mixed |
| (PAUL) Classroom practices | 2 | Spanish | first semester | morning-mixed |