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History of Modern and Contemporary Art

Code: 100011
Credits: 6
2026/2027
Degree programme Type Course
Humanities OB 3

Contact lecturer

Name :
Sol Enjuanes Puyol
Email :
sol.enjuanes@uab.cat

Teaching staff

null

Group languages

You can consult this information at the end of the document.

Prerequisites

No prerequisites are required

Objectives

The main objective is to provide tools for the critical analysis of modern and contemporary art.

The methodological objectives are:

  • To analyze works created using different artistic languages.
  • To apply appropriate vocabulary and methodology in the study of works of art.
  • To relate artistic productions to the historical, social, and cultural contexts in which they emerge.
  • To identify the main aesthetic movements in the history of modern and contemporary art.
  • To critically discuss and substantiate gender biases in the artistic production of the period under study.


Learning outcomes

  1. Analysing the legal framework of copyrights in cinematography.
  2. Applying the knowledge about aesthetic ideas and art theory to the analysis of the cinematographic imagery.
  3. Contrasting the various legal frameworks of the artistic heritage.
  4. Designing programmes of museography or management of the artistic heritage.
  5. Distinguishing the techniques and elaboration process of an artistic object from the avant-garde and the latest artistic trends.
  6. Identifying the artistic imagery, placing it into its cultural context.
  7. Preparing a proposal for an exhibition from a provided material.
  8. Reconstructing the artistic outlook of the contemporary world.
  9. Relating the artistic creations from various periods with other cultural phenomena.

Contents

  1. The Transformation of the Art World: From Neoclassicism to Modernity
  2. Impressionism, Modernity, and Originality
  3. Modernism, Arts & Crafts, and the Critique of Industrial Production Models
  4. Modern Architecture: From Urban Planning to Domestic Space
  5. The Path of the Avant-Gardes: From “Primitivism” to Mass Media
  6. Abstraction: Art, Spirituality, and Revolution
  7. The Challenges of Dadaism
  8. The Bauhaus and the Expansion of Fascism
  9. Surrealism and Its Offshoots
  10. The Cold War and the Shift of the Artistic Epicenter
  11. Mass Consumer Society and Art
  12. Technology and Artistic Languages


The course content is sensitive to gender perspective and the use of inclusive language


Learning activities and methodology

Title Hours ECTS Learning outcomes
Tutoret project 12 0.48 1, 2, 3, 4, 5, 6, 7, 8, 9
Theoretical classes 39 1.56 2, 3, 4, 5, 6, 7, 8, 9
Readings and study of the contents 90 3.6 2, 4, 5, 6, 7, 8, 9

Methodology:

  • Lectures with audiovisual support
  • Analysis of texts and images
  • Presentations and discussions
  • Individual tutorials


On the course's Virtual Campus, students will find the necessary guidance for successfully following the course, together with various teaching materials deemed appropriate by the instructors.

Annotation: within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.

Assessment

Continuous assessment activities

Title Weight Hours ECTS Learning outcomes
Exam 40% 1.5 0.06 4, 5, 6, 8, 9
Attendance and participation 10% 0 0 5, 6, 8, 9
Debates and presentations 20% 6 0.24 3, 5, 6, 7, 8, 9
Team project 30% 1.5 0.06 1, 2, 3, 4, 5, 6, 7, 8, 9

CONTINUOUS ASSESSMENT

  • Debates and presentations: 20%
  • Exam: 40%
  • Attendance and constructive participation in class: 10%
  • Teamwork: 30%

To pass the course, the weighted sum of all grades must be equal to or higher than 5.

At the time of each assessment activity, the lecturer will inform students (via Moodle) of the procedure and date for reviewing grades.

Exchange students who request to take an exam earlier than scheduled must provide the lecturer with a written document from their home university justifying the request.

Students will receive a grade of “Not Assessable” if they have submitted no more than 30% of the assessment activities.

Assessment tasks only count toward the final grade if they receive a mark of 4 or higher. Therefore, if any assessment task receives a grade below 4, the final course grade will be a fail, and the student will be required to take the resit assessment in order to pass the course.


RESIT ASSESSMENT SYSTEM

Students will be entitled to resit assessment if they meet any of the following conditions:

  • They have not achieved the minimum grade required to pass the course, i.e., they have a final grade below 5.
  • They have received a grade below 4 in any assessment task.
  • They have previously been assessed on a set of activities whose combined weight is equivalent to at least two-thirds of the total course grade.

In the case of a second enrolment, students may take a single comprehensive assessment consisting of a final examination. The course grade will correspond to the grade obtained in this comprehensive assessment.


PENALTIES FOR ACADEMIC MISCONDUCT

If a student commits any irregularity that may lead to a significant alteration of the grade for an assessment activity, that activity will be graded as 0, regardless of any disciplinary proceedings that may be initiated.

If multiple irregularities occur in the assessment activities of the same course, the final grade for the course will be 0.

Notes

  • Grade Review: At the time of each assessment activity, the lecturer will inform students (via Moodle) of the procedure and date for reviewing grades.
  • Not Assessable: Students will receive a grade of “Not Assessable” if they have submitted no more than 30% of the assessment activities.
  • Students may not take the resit assessment for the purpose of improving their grade.


SINGLE ASSESSMENT

Students should note that opting for single assessment does not exempt them from attending classes.

The final grade is based on the weighted sum of two assessment components:

  • Examination covering the course content: 50%
  • Assignment on a topic agreed upon with the lecturer during a tutorial session: 50%

The same resit assessment system applies as for continuous assessment.


Artificial Intelligence (AI)

In this course, the use of Artificial Intelligence (AI) technologies is permitted as an integral part of the development of coursework, provided that the final result reflects a significant contribution by the student in terms of analysis and personal reflection.

Students must:

  1. Identify which parts of the work were generated using AI.
  2. Specify the tools used.
  3. Include a critical reflection on how these tools influenced both the process and the final outcome of the activity.

Lack of transparency regarding the use of AI in an assessed activity will be considered a breach of academic integrity and will result in the activity being graded as 0 and deemed non-recoverable, or in more severe sanctions in serious cases.

Bibliography

AAVV, Arte desde 1900: Modernidad, antimodernidad, posmodernidad, Madrid: Akal, 2006

AAVV, La modernidad y lo moderno: Pintura francesa en el siglo XIX, Madrid: Akal, 1998

Ades, Dawn, El dada y el surrealismo, Barcelona: Labor, 1983.

Argan, Giulio Carlo, El arte moderno, Madrid: Akal,1991

Crow, Thomas E., Pintura y sociedad en el París del siglo XVIII, Madrid: Nerea, 1989

De Micheli, Mario, Las vanguardias artísticas del siglo XX, Madrid: Alianza Forma, 1979

Frampton, Kenneth, Historia crítica de la arquitectura moderna, Barcelona: Gustavo Gili, 1998

Guasch, Anna Maria, El arte último del siglo XX, Madrid: Alianza Forma, 2000

Guilbaut, Serge, De cómo Nueva York robó la idea del arte moderno, Madrid: Mondadori, 1990

Krauss, Rossalind, Pasajes de la escultura moderna, Madrid: Akal Arte y Estética, 2002

Marchán-Fiz, Simón, Del arte objetual al arte de concepto, Madrid: Akal Arte y Estética, 1994

Mayayo, Patricia, Historias de mujeres, historias del arte, Cátedra, Madrid, 2003

Nochlin, Linda, El realismo, Madrid: Alianza Forma, 1991

Pollock, Griselda, Visión y diferencia: Feminismo, feminidad e historias del arte, Buenos Aires: Fiordo, 2025.

Read, Herbert, La escultura moderna, Barcelona: Destino, 1994

Stangos, Nikos, Conceptos de arte moderno, Madrid: Alianza Forma, 1991

Software

Moodle (Campus virtual)

Course groups and languages

The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE

Type of teaching Group Language Semester Shift
(TE) Theory 1 Catalan second semester morning-mixed
(PAUL) Classroom practices 1 Catalan second semester morning-mixed