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Western Literary Tradition. The Construction of European Literature

Code: 106338
Credits: 6
2026/2027
Degree programme Type Course
Spanish and Chinese Studies: Language, Literature and Culture OP 4
Spanish Language and Literature OP 3
Spanish Language and Literature OP 4
English Studies OP 3
English Studies OP 4
English and Catalan Studies OP 3
English and Catalan Studies OP 4
English and Spanish Studies OP 3
English and Spanish Studies OP 4
Catalan and Spanish Studies OP 3
English and French Studies OP 4

Contact lecturer

Name :
María José Vega Ramos
Email :
mariajose.vega@uab.cat

Teaching staff

Vincenzo Reina Li Crapi
Miriam Ruiz-Ruano Risquez

Group languages

You can consult this information at the end of the document.

Prerequisites

By obtaining the minimum of credits in basic training subjects, students have demonstrated to have acquired the basic competences and they will be able to express themselves orally and in writing. For this reason, any expression error that may be committed will lead to a score decrease in the final grade.

Activities, practical sessions and papers submitted in the course must be original and under no circumstances will the total or partial plagiarism of third-party materials published on any medium be admitted. Artificial Intelligence is forbidden. It is also expected that students know the general rules of submission of an academic work. However, students could apply the specific rules that the teacher of the subject may indicate to them, if they deem it necessary.

Objectives

The subject intends:

1) to familiarize students with the notion of literary tradition and with the historical, geographical, cultural and ideological criteria that define the western, ancient and modern tradition (until 1800);

2) familiarize the students with the theoretical models and the practices that constitute the literary tradition;

3) familiarize students with a selection of works, authors and genres of some of the most representative traditions of ancient, medieval and modern Western literature through case studies;

4) improve the analytical and critical capacity of the students.

 

Learning outcomes

  1. Critically interpreting literary works taking into account the relationships between the different areas of literature and its relationships with human, artistic and social areas.
  2. Solving problems about writers, methods and currents of comparative literature, and connecting them with knowledge of other humanistic disciplines.
  3. Arguing about several issues and literary problems for the purpose of different works and the assessment of the results.
  4. Write text commentaries from a critical standpoint.
  5. Effectively communicating and applying the argumentative and textual processes to formal and scientific texts.
  6. Solving problems related to the study of different literatures.
  7. Explaining the basic characteristics of comparative literary texts.
  8. Analyse literary texts using the different concepts and methods of comparative literature.
  9. Use the skills acquired with autonomy.
  10. Argue on various literary themes and problems in relation to different works and evaluate the results.
  11. Analyse literary texts using the different concepts and methods of comparative literature.
  12. Solve problems related to the study of different literatures.
  13. Identifying and explaining the basic characteristics of literary texts and the interpretation process.
  14. Autonomously search, select and process information both from structured sources (databases, bibliographies, specialized magazines) and from across the network.
  15. Submitting works in accordance with both individual and small group demands and personal styles.
  16. Carry out tasks on authors, methods and trends in comparative literature, relating knowledge of other disciplines in the humanities.
  17. Solve problems related to the theoretical foundations and the main concepts in the study of literary criticism.
  18. Analysing literary texts using different concepts and methods of comparative literature.
  19. Use traditional sources to collect, classify, interpret and analyse relevant data related to the study of literary theory.
  20. Use digital tools to obtain, classify, interpret and analyse relevant data related to the study of literary theory.
  21. Present written work or oral presentations on the main concepts of literary theory.
  22. Identify and explain the basic characteristics of literary texts and the process of interpretation.
  23. Effectively communicate and apply the argumentative and textual processes to formal and scientific texts.
  24. Critically interpret literary works take into account the relationships between different areas of literature and its relationships with human, artistic and social areas.
  25. Argue about several issues and literary problems for the purpose of different works and the assessment of the results.
  26. Solve problems about writers, methods and currents of comparative literature, connecting them with knowledge of other humanistic disciplines.
  27. Express oneself effectively by applying argumentative and textual procedures in formal and scientific texts.
  28. Argue a case regarding several literary topics and problems arising from different works and evaluate the results.
  29. Resolve tasks on authors, methods and trends in comparative literature by drawing on knowledge of other humanistic disciplines.
  30. Explain the basic characteristics of the compared literary texts.

Contents

Thematic units


During the academic year, five of the following seven thematic units will be taught:

  1. The study of literary tradition: an introduction to the concepts of tradition, canon, and rewriting.
  2. Lyric poetry: the revival of Ovid, the troubadours, the dolce stil novo, and Petrarchism.
  3. Katabasis: journeys to the Underworld from Virgil to Dante.
  4. The flourishing of dialogue: the models of Lucian and Cicero, Erasmianism, and the modern dialogue.
  5. The evolution of narrative: from Chrétien de Troyes to the modern novel.
  6. Biblical poetry: the Song of Songs in European literature.
  7. Sacred reworkings of profane texts: the spiritual Petrarch and Garcilaso.



Learning activities and methodology

Title Hours ECTS Learning outcomes
Lectures 80 3.2
Essay 40 1.6
Presentations 30 1.2

The course is divided into several units.

With the exception of the first unit, a general introduction to the study of European literary tradition, each unit will study a major theme or genre of the Western literary and artistic tradition.Each block will count on a group of texts (or selection) of mandatory readings that the students must have read before attending the respective classes. The readings of each block will be analyzed by the teachers during the sessions in a generic framework that could allow the student to understand the particularity of a discourse or case within its tradition.

 
Annotation: within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.

Assessment

Continuous assessment activities

Title Weight Hours ECTS Learning outcomes
Exam 1-2 30% (exam 1), 30% (exam 2) 0 0 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30
Test 30% 0 0 4, 10, 13, 24
Oral presentation (10%) 10% 0 0 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18

The course aims to provide a comprehensive assessment of students' competencies at different levels, including their understanding of the course content, written expression, argumentative skills, and related abilities. Assessment will be based on written examinations, text commentaries, multiple-choice tests, and an oral presentation.

1) Examinations 1 and 2: one mid-term examination covering the first part of the course and one final examination covering the remaining material are scheduled. The examinations will include:

a) a textual commentary on one of the required readings;

b) a set of questions designed to assess students' ability to synthesise and interpret the material covered in class. Particular attention will be paid to the ability to provide clear, well-structured, and relevant answers.

2) Oral presentation: students will choose one of the required readings that they have read in its entirety and present it (either in class or during office hours), using a selection of passages of their choice as the basis for their discussion.

3) Multiple-choice tests: for Units II–V, brief multiple-choice quizzes (approximately 15 minutes each) will be administered in class. These will cover:

a) lectures related to the course content that are available in written or digital format;

b) critical texts included in the course bibliography.



f a student commits any irregularity that may lead to a significant distortion of the assessment of an evaluation activity, that activity will be awarded a mark of 0, irrespective of any disciplinary proceedings that may subsequently be initiated. If a student commits more than one irregularity in the assessment activities of the same course, the final mark for the course will be 0. In particular, plagiarism (whether total or partial) and the use of artificial intelligence tools are not permitted under any circumstances in any assessment activity.

Students will receive the grade Not Assessed if they have completed no more than 30% of the assessment activities.

At the time of each assessment activity, the lecturer will inform students of the procedure and date for the review of marks. Students who do not obtain a passing grade will be entitled to resubmit assignments or commentaries and to sit reassessment examinations, which will be of the same format and level of difficulty as the ordinary assessment. Only those examinations or assessment activities that have previously been graded may be reassessed, provided that the student has obtained a minimum overall course average of 3/10.


At the time of each evaluation activity, the teacher will inform the student of the procedure and the date of review of the grades. In the case of a non-positive evaluation, the student may make new deliveries (work, commentary) and extraordinary tests that will have the same level of difficulty and the same typology as the ordinary tests. Only those students who have submitted at least one of the two final exams will be eligible for the re-evaluation of the subject, and only those exams that have been previously evaluated may be re-evaluated, provided that a minimum grade of 3 points in the average of the subject.


Single-assessment option


Students who choose the single-assessment option will be assessed by means of:

  1. a written examination consisting of theoretical questions and a text commentary (40%);
  2. a multiple-choice test designed to assess their knowledge of the critical texts discussed during the course (40%);
  3. the oral presentation (20%).

These assessment activities will take place in June 2027.

Students who do not achieve a passing grade in any of the assessment components will be required to sit the ordinary reassessment examination, unless circumstances beyond their control prevent them from doing so. In such cases, students must notify the lecturer at least two weeks in advance so that, where appropriate, an alternative date can be arranged.


Bibliography

Bibliografía

The following list provides the essential bibliography for the study of the different thematic units.


Acuña, Hernando de. Varias poesías. Ed. de Luis F. Díaz Larios. Madrid: Cátedra, 1982. (Selección de fragmentos)

Boscán, Juan. Obra completa. Ed. de Carlos Clavería. Madrid: Cátedra, 1999. (Selección de fragmentos)

Cançoner de Ripoll. Trad. de Jordi Raventós. Martorell: Adesiaria, 2010.

Boccaccio, Decameró. Trad. de Francesc Vallverdú. Barcelona: Edicions 62, 2014. (Selección de fragmentos)

Dante, Comedia, ed. y trad. de José María Micó, Barcelona, Acantilado, 2018. (Selección de fragmentos)

Dante. Vida nova. Traducció de Rossend Arqués. Martorell: Adesiara, 2021. (Selección de fragmentos)

Dolce stil nuovo. Ed. de Ramon Masoliver. Barcelona: Seix Barral, 1983. (Selección de fragmentos)

March, Ausiàs. Poesies. Ed. de Pere Bohigas. Barcelona: Barcino, 2000. (Selección de fragmentos)

Moro, Tomás, Utopía, ed. y trad. de Pedro Rodríguez Santidrián, Madrid, Alianza Editorial, 2012. (Selección de fragmentos)

Ovidio. Amors. Trad. de Jordi Pérez Durà & Miquel Dolç. Barcelona: Bernat Metge, 1971.

Pérez de Oliva, Fernán, Diálogo de la dignidad del hombre, Razonamientos, Ejercicios, ed. de María Luisa Cerrón Puga, Madrid, Cátedra, 1995. (Selección de fragmentos)

Petrarca, Canzoniere. Ed. de Marco Santagata. Milà: Mondadori, 2000. (Selección de fragmentos)

Troyes, Chrétien de. El cuento del Graal. Madrid: Alianza Editorial, 1999.

Virgilio, Eneida, ed. de José Carlos Fernández Corte; trad. de Aurelio Espinosa, Madrid, Cátedra, 2006. (Libro VI)

Vega, Garcilaso de la. Obra poética y textos en prosa. Ed. de Bienvenido Morros. Barcelona, Crítica, 1995. (Selección de fragmentos)


Alfano, Giancarlo. Introduzione alle lettura del Decameron. Bari: Laterza, 2014.

Barbero, Alessandro, Dante, trad. de Marilena de Chiara, Barcelona, Acantilado, 2021.

Cappelli, Guido, El humanismo italiano: un capítulo de la cultura europea entre Petrarca y Valla, Madrid, Alianza Editorial, 2007.

Kraye, Jill (ed.), The Cambridge Companion to Renaissance Humanism, Cambridge University Press, 1996.

Lida de Malkiel, María Rosa, Dido en la literatura española: su retrato y defensa, Londres, Tamesis books, 1974.

Petrarca, Francesco, Mi secreto. Epístolas, ed. bilingüe de Rossend Arqués Corominas, trad. de Rossend Arqués Corominas y Anna Saurí, Madrid, Cátedra, 2011.

Rico, Francisco. El sueño del humanismo: De Petrarca a Erasmo, Barcelona, Crítica, 2014.

Rico, Francisco. El pequeño mundo del hombre: varia fortuna de una idea en la cultura española, Madrid, Alianza Editorial, 1986.

Ruiz-Ruano, Míriam. “Hernando de Acuña, casos de ‘imitatio’ de Ausiàs March en el petrarquismo hispánico del quinientos”, Caliope: journal of the Society for Renaissance and Baroque Hispanic Society, vol. 24 (1), 2019, p. 1-28.

Riquer, Martí de & José María Valverde. Historia de la literatura universal 1: desde los inicios hasta el Barroco. Barcelona: Austral, 2018.

Santagata, Marco, Dante. La novela de su vida, Madrid, Cátedra, Colección Biografías, 2018.

Skinner, Quentin, Los fundamentos del pensamiento político moderno, trad. de Juan José Utrilla, México, Fondo de Cultura Económica, 1985.

Tonelli, Natascia. Leggere il Canzoniere. Milà: Mondadori, 2017.

Vian Herrero, Ana; Vega, María José; Friedlein, Roger (eds.), Diálogo y censura en el siglo XVI (España y Portugal), Madrid, Iberoamericana Vervuert, 2016.

Virgilio, Bucólicas. Geórgicas. Apéndice virgiliano, introducción general, José Luis Vidal; trad., introd. y notas, Tomás de la Ascensión Recio García y Arturo Soler Ruiz, Madrid, Gredos, 1990.

V.V.A.A. Manifiestos del humanismo, trad. de María Morrás, Barcelona, Ediciones Península, 2000.

V.V.A.A. Diálogos españoles del Renacimiento, ed. e introd. Ana Vian Herrero, Madrid, Almuzara, Biblioteca de Literatura Universal, 2011.

Software

None

Course groups and languages

The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE

Type of teaching Group Language Semester Shift
(TE) Theory 1 Catalan/Spanish second semester morning-mixed
(PAUL) Classroom practices 1 Catalan/Spanish second semester morning-mixed