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History of German Culture

Code: 106334
Credits: 6
2026/2027
Degree programme Type Course
English Studies OP 3
English Studies OP 4

Contact lecturer

Name :
Bernd Springer
Email :
bernd.springer@uab.cat

Group languages

You can consult this information at the end of the document.

Prerequisites

No prior knowledge of German language, literature, culture or history is necessary.

Objectives

  • It is not about memorising names, dates, places and so on, but the objective is to achieve an understanding of the interrelationships between German culture, religion, politics and mindsets within their European contexts;
  • to give an overview of German history in the context of European history.
  • to give an overview of German cultural traditions (artistic, literary, political and philosophical) within their European contexts.
  • to give an overall orientation to the literary and cinematographic representation of German history.
  • to develop and deepen the understanding of German culture and its mentalities.
  • to develop and deepen the understanding of regional, national and European identities.
  • to develop and deepen understanding of cultural and historical identities.
  • to develop and deepen critical and argumentative skills and the ability to relate ideas.
  • to develop and deepen the capacity for aesthetic experience.
  • to develop and deepen the ability to present academic subjects.
  • to increase the linguistic awareness of the student in the receptive aspect of a text of literary, artistic and film criticism.
  • to introduce strategies for the study of foreign philology.

Learning outcomes

  1. Communicating in the studied language in oral and written form, properly using vocabulary and grammar.
  2. Effectively communicating and applying the argumentative and textual processes to formal and scientific texts.
  3. Apply the knowledge and skills acquired to professional and academic activities related to German Literature, History and Culture.
  4. Demonstrate a sound knowledge about advanced topics related to the study of literature and culture.
  5. Make relevant critical assessments based on an understanding of relevant information on topics related to German literature and culture of social, scientific or ethical interest.
  6. Demonstrate a mastery of the methods of individual academic work that enable these to pursue specialised postgraduate education in their own or similar areas of study.
  7. Mastering the advanced knowledge and scientific methodologies related to linguistics, literature, history and culture that prepare the student for a postgraduate specialised education in the same or a different field of study.
  8. Analyse a text or a film under various aspects and synthesise the results of the analysis in an overall interpretation.
  9. Identify and interpret the symbolic language of a text and a feature film.
  10. Distinguish principal ideas from secondary ideas and synthesise their contents in German-language literary texts and films.
  11. Recognise the most important aspects of the history of German-speaking countries and other Western literatures and cultures.
  12. Identify the main genres and the main literary, cultural and historical trends in the German language.
  13. Recognise the contents and importance of some universal works in the German language.
  14. Recognising theories of other human, artistic, and social areas and applying them to German literature and cinema.
  15. Assess from literary texts the various cultural contexts from a critical perspective.
  16. Practise the critical discourse and implement the argumentative processes.
  17. Apply the knowledge acquired to the generation of innovative and competitive research at a basic level.
  18. Generate new professional initiatives based on the knowledge acquired.
  19. Apply the acquired knowledge in order to improve the general knowledge of linguistic and cultural diversity.
  20. Generate strategies to facilitate the increase and improvement of mutual respect in multicultural environments.
  21. Use the specific expressive resources of the essay genre.
  22. Have criteria in order to assess the aesthetics of a literary work or film.

Contents

1.) Neanderthal man, the Neolithic revolution, the celestial disc of nebra

2.) The Julian calendar and the Christmas festival

3.) A brief history of the German language

4.) Biblical, Christian and Germanic names, surnames and Jewish names

5.) Zuckmayer: The General of the Devil: A German race?

6.) The Roman Empire and the Germania liberates, the battle in the Teutoburg Forest, the Germans and the Forest

7.) The migration of peoples (invasion of the barbarians), the Franks and Charlemagne.

8.) European Epochs: Romanesque in Germany and Europe

9.) The beginnings of Germany: Saxons and Ottonians.

10.) The German High Middle Ages: The Staufers

11.) The German High Middle Ages: Court culture, the Minne, Tristan and Isolde.

12.) Great women in the Middle Ages: Hildegard von Bingen, Elisabeth von Thüringen, Mechthild von Magdeburg, (Abelard &) Heloise, Leonora of Aquitania

13.) The Hansa

14.) European epochs: Gothic architecture in Germany and Europe

15.) William Tell and Swiss independence

16.) The fall of Constantinople, the invention of gunpowder and how firearms changed warfare.

17.) European Epochs: The Renaissance in Italy and Europe

18.) Erasmus of Rotterdam

19.) Gutenberg, the invention of the press and its consequences

20.) Luther and the Reformation and its consequences: The thesis of the birth of capitalism from the Protestant spirit.

21.) Luther and the Reformation and its consequences: The university, the Protestant mentality, music, Bach.

22.) Dürer

23.) Lucas Cranach (the elder)

24.) Counter-Reformation and Baroque in Germany and Europe

25.) European Epochs: The Enlightenment, Kant: What is the Enlightenment?

26.) Weimar Classicism: Goethe and Schiller, Goethe: Faust

27.) The relationship between the Enlightenment and Romanticism.

28.) Romanticism, texts by Novalis, Schlegel, Eichendorff, the art of Caspar David Friedrich

29.) Beethoven, Schillerand the European hymn

30.) Hoffmann von Fallersleben and the German hymn - the invention of nationalism

31.) Commentary on texts by Heinrich Heine

32.) A chapter from the History of Feelings: Empathy

33.) A chapter from the history of philosophy and mentalities: The death of God (Hegel, Feuerbach, Marx, Nietzsche, Freud).

34.) The autonomous subject and the reforms in Prussia.

35.) The revolution of 1848/49

36.) Bismarck and the unification of Germany

37.) Bismarck and the social state: 1883 Health insurance / 1884 Accident insurance / 1890 Invalidity insurance and pension insurance

38.) The work of Richard Wagner

39.) Nietzsche

40.) The artists' colony at Dachau and Worpswede

41.) Women in art and music of the 19th century

42.) The Habsburg Monarchy at the turn of the century: Vienna, Prague and Budapest

43.) The Habsburg Monarchy: Johann Strauss and Gustav Mahler

44.) The Wiener Moderne: the painters Gustav Klimt, Oskar Kokoschka, Egon Schiele

45.) Wiener Moderne: intellectuals (Arthur Schnitzler, Joseph Roth, Stefan Zweig, Robert Musil, Hugo von Hofmannsthal)

46.) Siegmund Freud

47.) The artists' groups: Die Brücke (The Bridge) and Der blaue Reiter (The Blue Rider)

48.) History of Expressionist Cinema - Siegfried Kracauer: From Caligari to Hitler

49.) The Bauhaus

50.) Post-war cinema (1940s and 1950s) and the new German cinema (1970s and 1980s)

51.) Music of the 70s, 80s and 90s - electronic music - Neue Deutsche Welle - music from the 90s onwards

52.) The fall of the Berlin Wall and the end of the Cold War

53.) Reunified Germany / traditional and folkloric Germany / modern, scientific and industrial Germany / multicultural Germany


Not all topics are covered

Learning activities and methodology

Title Hours ECTS Learning outcomes
master classes 45 1.8 3, 4, 5
Viewing a film 2 0.08 12
writing a text 2 0.08 2, 5, 16, 21
Reading books and shorter texts 50 2 12
Summarising lectures and reflecting on own learning outcomes 30 1.2 3, 4, 5
give a presentation 9 0.36 4, 5

• Lectures.

• Home reading.

• Student presentations.

• Group work in class.

• Virtual Campus.

• Films.

• Tutoring.

• Writing personal reflections on the course content.

• Answering questions on the course content.

Annotation: within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.

Assessment

Continuous assessment activities

Title Weight Hours ECTS Learning outcomes
Summarising lectures and reflecting on own learning outcomes after the first third of the semester 15% 2 0.08 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18
Writing a fictional autobiography: My life if I had been born in the Xth century in place X. 10% 2 0.08 11, 14, 15, 17, 18, 19, 20
Summarise the lessons and reflect on your own learning outcomes at the end of the semester. 20% 2 0.08 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17
give a presentation or make a podcast 20% 2 0.08 2, 3, 4, 5, 13, 14, 15, 16, 18, 19, 20, 21, 22
An essay on Stefan Zweig's book: Castellio v. Calvino 20% 2 0.08 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22
Summarise the lessons and reflect on your own learning outcomes once the second third of the semester has passed. 15% 2 0.08 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18

Continuous Assessment:

  1. An essay on Stefan Zweig's book: Castellio contra Calvino (20%).
  2. A presentation (20 min.) (20%).
  3. Writing a fictional autobiography: My life if I had been born in the Xth century in place X. (10%)
  4. 3 Reflections on own learning outcomes (2 x 15% v+ 1x 20%).


The maximum time to provide feedback and report grades is three weeks. All continuous assessment tasks may be retaken and will take place at home or in class. If a student achieves a final mark of 4.9 in the continuous assessment, this mark is rounded up to 5.


Single Assessment:

1. Summaries and reflections on one's own learning outcomes from the course material covered in class. 40%.

2. Submission of a PowerPoint presentation with audio on a previously agreed-upon topic (20%).

3. Submission of answers to the professor's questions on various texts (20%).

4. Submission of an essay on Stefan Zweig's book: Castellio contra Calvino (20%), according to the professor's instructions (20%).


The same recovery system as for continuous assessment will be applied.

Very important! The use of electronic devices (cell phones, laptops, and others) in class is not permitted! Notes must be taken on paper. Students must bring the texts (finished) to class every day, according to the updated class schedule.

Active participation in class is mandatory. If, exceptionally, physical presence is not possible, students are responsible for independently obtaining the material presented by the teacher and are required to demonstrate, through written work and under the teacher's supervision and supervision, that they have worked independently on the class or the subject in question. Absence from class for more than 20% of the classes (or more than 20% of the written work for classes with absences) must be compensated with an extra assignment on a topic in German history or literature, approximately 5 pages in length. If the student is absent for more than 40% of classes (or the respective assignments), the conditions for an assessment are no longer met, and the grade will be \"non-assessable\" or the student will be assigned a single assessment.


Each assessment section must be passed with a minimum grade of 5 (out of 10). If this minimum requirement is not met, the test must be repeated during the make-up weeks. The tests are given on the indicated date or during the make-up weeks. If the student fails the make-up section, the final grade will be a fail.


At the time of each assessment activity, the teacher will inform students (Moodle) of the procedure and date for grade review.


Presentations must be submitted on the date specified in the updated schedule (which is constantly updated!); presentations cannot be presented outside the historical or cultural context of the syllabus. If you do not present the presentation on the scheduled day or fail it, you must make up this part of the assessment by writing a 15-page essay on the same topic during the make-up weeks.


To be admitted to the resit examination, students must have an average mark of 3.5 and must have been assessed in activities that account for at least two-thirds of the total mark for continuous assessment. If the percentage of failed sections exceeds 40%, the course is failed.

The student will receive a “not assessable” grade if they have not submitted more than 30% of the assessment tasks.


Presentations must be presented on the day scheduled in the updated schedule (which is constantly updated!); presentations outside of their historical or cultural context cannot be presented. The presentation should last approximately 15-20 minutes; if the topic is for two people, it should last 30-40 minutes.


If the presentation is not submitted that day, the presentation will be considered a missed presentation, and this part of the assessment must be made up with a 10-page essay on the same topic during the make-up weeks.


All Word files containing reflections on the lectures and presentations must be compiled into a single Word file, sorted by date and topic. Remember to include your first and last name in the file header.


All sections of the assessment must be completed, submitted, and passed, both in the continuous assessment and the single assessment.


The languages taught are Spanish and Catalan.


The presentations will be in Spanish, Catalan, and English.


Written assignments can be in the following languages: German, Catalan, Spanish, English, French, or Italian.


VERY IMPORTANT:

Total or partial plagiarism in any of the exercises will automatically be considered a FAIL (0) for the plagiarized exercise. If this situation is repeated, the entire course will be failed. PLAGIARISM is copying a text from unidentified sources, even a single sentence or more, and passing it off as one's own work. (THIS INCLUDES COPYING PHRASES OR EXCERPTS FROM THE INTERNET AND ARTIFICIAL INTELLIGENCE AND ADDING THEM WITHOUT MODIFICATIONS TO THE TEXT PRESENTED AS ONE'S OWN.) It is a serious offense. It is important to learn to respect the intellectual property of others and always identify the sources that may be used. It is essential to take responsibility for the originality and authenticity of one's own text.

If students commit any irregularities that could lead to a significant change in the grade for an assessment, the assessment will be graded with a 0, regardless of any disciplinary process that may be initiated. If multiple irregularities occur in the assessments for the same subject, the final grade for that subject will be 0.

If the tests cannot be administered in person, their format will be adapted (maintaining their weighting) to the possibilities offered by the UAB's virtual tools. Homework, activities, and class participation will be conducted through forums, wikis, and/or exercise discussions via Teams or other platforms, ensuring that all students have access to them.

Note for Erasmus students:

Erasmus students requesting to advance an exam must present their instructor with a written document from their home university justifying their request.

Use of AI:

This subject allows the use of AI technologies exclusively for support tasks authorised by the teacher. Other specific situations may be contemplated, as deemed appropriate by the teacher.

The student must clearly (i) identify which parts have been generated using AI technology; (ii) specify the tools used; and (iii) include a critical reflection on how these have influenced the process and final outcome of the activity.

Lack of transparency regarding the use of AI in the assessed activity will be considered academic dishonesty; the corresponding grade may be lowered, or the work may even be awarded a zero. In cases of greater infringement, more serious action may be taken.

Bibliography

Extracts of Texts compiled in a Dossier:


Johan Huizinga: El Otoño de la Edad Media +

Jacob Burckhardt: El Renacimiento en Italia.

Reinhold Schneider: Las Casas y Carlos V : escenas del tiempo de los conquistadores.


Books:


Stefan Zweig: The right to heresy: Castellio against Calvin (Pushkin Press Classics) Kindle publisher: Plunkett Lake Press

Rüdiger Safranski: Romanticism. A German Affair (Northwestern University Press) digital version not available

Stefan Zweig: The world of yesterday (Pushkin Press Classics) or: Kindle Publisher:Tingle Books

Software

1.) Neanderthal Man, the Neolithic Revolution, the Nebra Sky Disc

2.) The Julian Calendar and the Christmas Festival

3.) A Very Brief History of the German Language

4.) Biblical, Christian, and Germanic Names, Surnames, and Jewish Names

5.) Zuckmayer: The Devil's General: On a German Race

6.) The Roman Empire and Liberated Germania, the Battle of the Teutoburg Forest, the Germans and the Forest

7.) The Migration of Peoples (Barbarian Invasion), the Franks, and Charlemagne

8.) European Periods: Romanesque in Germany and Europe

9.) The Beginnings of Germany: the Saxons and Ottonians

10.) The German Early Middle Ages: The Staufers

11.) The German Early Middle Ages: Court Culture, Minne, Tristan and Isolde

12.) Great Women of the Middle Ages: Hildegard von Bingen, Elisabeth von Thuringia, Mechthild von Magdeburg, (Abelard &) Heloise, Eleanor of Aquitaine

13.) The Hanseatic League

14.) European Periods: Gothic Architecture in Germany and Europe

15.) William Tell and the Independence of Switzerland

16.) The Fall of Constantinople, the Invention of Gunpowder, and How Firearms Changed Warfare

17.) European Periods: The Renaissance in Italy and Europe

18.) Erasmus of Rotterdam

19.) Gutenberg, the Invention of the Printing Press, and Its Consequences

20.) Luther and the Reformation and Its Consequences: The Protestant Ethic and the Spirit of Capitalism

21.) Luther and the Reformation and its consequences: The university, the Protestant mentality, music, Bach

22.) Dürer

23.) Lucas Cranach (the elder)

24.) The Counter-Reformation and the Baroque in Germany and Europe

25.) European eras: The Enlightenment, Kant: What is the Enlightenment?

26.) Weimar Classicism: Goethe and Schiller, Goethe: Faust

27.) The Relationship between the Enlightenment and Romanticism

28.) Romanticism, Texts by Novalis, Schlegel, Eichendorff, and the Art of Caspar David Friedrich

29.) Beethoven, Schiller, and the European Anthem

30.) Hoffmann von Fallersleben and the German Anthem – The Invention of Nationalism

31.) Commentary on Texts by Heinrich Heine

32.) A Chapter from the History of the Sentiments: Empathy

33.) A Chapter from the History of Philosophy and Mentalities: The Death of God (Hegel, Feuerbach, Marx, Nietzsche, Freud)

34.) The Autonomous Subject and the Reforms in Prussia

35.) The Revolution of 1848/49

36.) Bismarck and Unification of Germany

37.) Bismarck and the Welfare State: 1883 Health Insurance / 1884 Accident Insurance / 1890 Disability Insurance and Retirement Insurance

38.) The Work of Richard Wagner

39.) Nietzsche

40.) The Dachau and Worpswede Artist Colonies

41.) Women in 19th-Century Art and Music

42.) The Habsburg Monarchy at the End of the Century: Vienna, Prague, and Budapest

43.) The Habsburg Monarchy: Johann Strauss and Gustav Mahler

44.) Wiener Moderne: Painters Gustav Klimt, Oskar Kokoschka, Egon Schiele

45.) Wiener Moderne: Intellectuals (Arthur Schnitzler, Joseph Roth, Stefan Zweig, Robert Musil, Hugo von Hofmannsthal)

46.) Siegmund Freud Freud

47.) Artist Groups: Die Brücke (The Bridge) and Der blaue Reiter (The Blue Rider)

48.) History of Expressionist Cinema – Siegfried Kracauer: From Caligari to Hitler

49.) The Bauhaus

50.) Postwar Cinema (1940s and 1950s) and New German Cinema (1970s and 1980s)

51.) Music of the 1970s, 1980s, and 1990s - Electronic Music - Neue Deutsche Welle - Music Since the 1990s

52.) The Fall of the Berlin Wall and the End of the Cold War

53.) Reunified Germany / Traditional and Folkloric Germany / Modern, Scientific, and Industrial Germany / Multicultural Germany


Not all topics are always covered


Course groups and languages

The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE