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Documentary Theory and Practice

Code: 103031
Credits: 6
2026/2027
Degree programme Type Course
Journalism OP 3

Contact lecturer

Name :
Montserrat Santamarina Blanco
Email :
montse.santamarina@uab.cat

Teaching staff

Montserrat Santamarina Blanco

Group languages

You can consult this information at the end of the document.

Prerequisites

Knowledge of technological fundamentals and audiovisual language. Basic student competencies in the use of photo, video, and audio editing software

Objectives

Provide students with the theoretical and practical knowledge necessary for the ideation, pre-production, filming, and editing of documentaries with a more elaborate and reflective perspective—closer to observation and the portrayal of reality—seeking to go beyond conventional journalistic narratives.


Know the history of documentary film, as well as the most representative works and creators. Learn the language and specific characteristics of the genre to develope the ability to analyze and make critical and imaginative documentary projects.

Learning outcomes

  • CM18 (Include the gender perspective, the condemnation of gender violence, the defence of victims’ rights and the Sustainable Development Goals (SDGs) in the analysis and production of media discourses, and guarantee diverse, inclusive, socially responsible media.) Include the gender perspective, the condemnation of gender violence, the defence of victims’ rights and the Sustainable Development Goals (SDGs) in the analysis and production of media discourses, and guarantee diverse, inclusive, socially responsible media.
  • KM19 (Describe the role of documentaries as tools of social communication and their ability to represent different realities, with particular attention to gender equity and human rights.) Describe the role of documentaries as tools of social communication and their ability to represent different realities, with particular attention to gender equity and human rights.
  • SM20 (Develop production strategies for journalistic and audiovisual contents that foster cultural diversity and equitable representation in media discourses.) Develop production strategies for journalistic and audiovisual contents that foster cultural diversity and equitable representation in media discourses.

Contents

  • The documentary as an audiovisual genre. Reportage vs. documentary. Fiction vs. reality. Ethics and aesthetics of the documentary.


  • Chronology of the documentary. Historical notes. Future scenarios.


  • The voices of the documentary: expository, observational, participatory, performative, reflexive, and poetic.


  • New documentary formats (hybridization): mockumentary, docufiction, animated documentary.


  • New documentary screens (expanded documentary): interactive web documentary (webdoc), immersive documentary (360º VR).

Learning activities and methodology

Title Hours ECTS Learning outcomes
Visions, readings and documentary pieces 82.5 3.3 CM18, KM19, SM20
Tutorials 7.5 0.3 SM20
Laboratory practices 22.5 0.9 SM20
Seminars 15 0.6 SM20
Classes 15 0.6 CM18, KM19

Documentary Theory and Practice is a theory-based course with laboratory practice components (TPL). Its learning objectives are achieved through three types of teaching activities (lectures, seminars, and practical sessions) structured around the development of a real and meaningful project. The course is based on the active participation and collaboration of students and follows an innovative Project-Based Learning (PBL) approach.


Theoretical classes are structured around the viewing of documentary excerpts and classroom discussions. Seminar sessions and laboratory practices are dedicated to the planning, design, production, and post-production of a short documentary film. Students' independent work and regular tutorial sessions with instructors are essential to achieving the competencies and learning outcomes through this group audiovisual creation project (teams of 4 to 6 students).


A detailed schedule outlining the content of each session will be presented on the first day of the course and will be available on the course’s Virtual Campus, where students will find the various teaching materials deemed appropriate by the instructors and

necessary information for effective course monitoring. Should the teaching modality change for reasons of force majeure according to the competent authorities, the teaching staff will inform students of any modifications to the course schedule and teaching methodologies.


The course content will be sensitive to issues related to gender perspective and the use of inclusive language.

Annotation: within the schedule set by the centre or degree programme, 15 minutes of one class will be reserved for students to evaluate their lecturers and their courses or modules through questionnaires.

Assessment

Continuous assessment activities

Title Weight Hours ECTS Learning outcomes
Seminars 20% 1.5 0.06 KM19, SM20
Practices 50% 3 0.12 KM19, SM20
Written evidence 30% 3 0.12 CM18, KM19

The subject will be evaluated through three different procedures:


  • Written exam (30%)
  • Seminars (20%)
  • Practices (50%)


Completion of all three assessment components is mandatory in order to pass the course, and only the written exam is eligible for reassessment.

Attendance at theoretical sessions is not mandatory but is highly recommended, as the content from screenings, discussions, and class questions is part of the exam. Only a summary of the classroom presentation will be uploaded to the Virtual Campus.

Attendance at seminar and practical sessions is mandatory. The seminars will focus on the pre-production of the documentary project (topic proposals, project development, and pitching), while the practical sessions will cover the production and post-production of the short documentaries (teamwork dynamics, submitted audiovisual piece, and the production report/dossier).


Students will be entitled to reassessment in the course if they have been evaluated on a set of activities accounting for at least two-thirds of the total course grade.


This course/module does not provide for a single-assessment system.


In this course, the use of Artificial Intelligence (AI) technologies is permitted as an integral part of the work, provided that their use is justified and that the outcome reflects a significant contribution from the student in terms of analysis and personal reflection. Students must clearly identify which parts were generated using this technology, specify the tools used, and include a critical reflection on how these tools influenced both the process and the final outcome of the activity. Lack of transparency will be considered academic dishonesty and may result in a penalty to the activity’s grade or more serious sanctions in severe cases.


The performance of any irregularity in an evaluation act (academic fraud, plagiarism or improper use of AI, unless this use is expressly authorized by the teaching guide), which may lead to a significant variation in the grade, assumes that this act will be

graded with a 0. In the event that the teaching guide foresees that in order to pass the subject it is an essential requirement to have obtained a minimum grade in this evaluation act or that there are several irregularities in the evaluation acts of the same

subject, the final grade of this subject is 0. Apart from this, a disciplinary process may be instructed to the student that incurs any of these irregularities.

Bibliography

ARTIS, Anthony Q. (2009). Cállate y rueda. Omega.

BARNOW, Erik (1996). El documental. Historia y estilo. Barcelona: Gedisa.

BRICCA, Jacob: Documentary editing: principles & practice, Londres: Routledge, 2018

CERDÁN, Josetxo; TORREIRO, Casimiro (2005). Documental y vanguardia. Madrid: Catedra

 FRANCÉS, Miquel (2013). El documental en el entorno digital. Barcelona:UOC.

GIFREU, Arnau (2013). El Documental interactivo: evolución, caracterización y perspectivas de desarrollo. Barcelona: UOC.

LEÓN, Bienvenido (2009). Dirección de documentales para TV: guión, producción y realización. Navarra: Eunsa

NICHOLS, Bill (1997): La representación de la realidad: cuestiones y conceptos sobre el documental  Barcelona: Paidós.

NICHOLS, Bill. (2001): Introduction to documentary. Bloomington: Indiana University Press.

PLANTINGA, Carl (1997). Rhetoric and representation in nonfiction filmCambridge University Press.

RABIGER, Michael (2005): Dirección de Documentales. Madrid: IORTV.

SOLER, Llorenç. (1997): La realización de documentales y reportajes para televisión. Barcelona: Cims.

SUCARI, Jacobo (2012). El documental expandido: pantalla y espacio. Barcelona: UOC.

WEINRICHTER, Antonio. (2004): Desvíos de lo real. El cine de no ficción.  Madrid:T&B Editores

Software

Office software:  Word or equivalent, PowerPoint or equivalent

Video and audio editing & Post-production:: DaVinci / Premiere / Final Cut; Affinity Photo / Photoshop; Audacity / Audition

Course groups and languages

The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE

Type of teaching Group Language Semester Shift
(TE) Theory 1 Catalan second semester morning-mixed
(PLAB) Practical laboratories 11 Catalan second semester morning-mixed
(PLAB) Practical laboratories 12 Catalan second semester morning-mixed