
Design and Production of Journalistic Products
Code: 108219Credits: 6
| Degree programme | Type | Course |
|---|---|---|
| Journalism | OB | 2 |
Contact lecturer
- Name :
- David Guerrero Ramiro
- Email :
- david.guerrero@uab.cat
Group languages
You can consult this information at the end of the document.
Prerequisites
There are no prerequisites.
Objectives
- Understand the fundamentals of editorial design and their application to print and digital journalistic products.
- Apply principles of visual hierarchy, composition, and visual storytelling to the organization of information and the production of journalistic products.
- Analyze and justify design decisions based on communication objectives and the target audience.
- Integrate communicative, aesthetic, and technical criteria into the design and production of journalistic products.
- Use professional tools for layout design, image editing, and editorial production in the development of journalistic projects.
- Conceptualize, design, and produce journalistic products adapted to different media and formats.
Learning outcomes
- CM28 (Create visual strategies for journalistic communication that optimise the user experience and the accessibility of the information in different media.) Create visual strategies for journalistic communication that optimise the user experience and the accessibility of the information in different media.
- KM29 (Identify the principles of journalistic design and their application in different media formats, and bear in mind the visual, structural and narrative aspects in content production.) Identify the principles of journalistic design and their application in different media formats, and bear in mind the visual, structural and narrative aspects in content production.
- KM30 (Recognise photojournalism and visual design techniques and their impact on the representation of events and influence on shaping public opinion.) Recognise photojournalism and visual design techniques and their impact on the representation of events and influence on shaping public opinion.
- SM31 (Manage the production of visual contents in different journalistic formats, and use digital tools for editing, processing and disseminating images in multiplatform media.) Manage the production of visual contents in different journalistic formats, and use digital tools for editing, processing and disseminating images in multiplatform media.
Contents
Topic 1. Fundamentals of design
- Graphic design and visual communication
- Principles of design
- Journalistic design
Topic 2. Elements of design
- Visual architecture and grid systems
- Information hierarchy
- Typography
- Colour
- Photography and graphic imagery
- Infographics and data visualisation
Topic 3. Journalistic products
- History and evolution of journalistic design
- Newspapers
- Magazines
- Relationship between print and digital products
- Contemporary trends in journalistic design
Topic 4. Editorial design and production process
- Concept development
- Composition and layout design
- Editorial production
- Print and digital publishing
Learning activities and methodology
| Title | Hours | ECTS | Learning outcomes |
|---|---|---|---|
| Theoretical lectures | 12 | 0.48 | KM29, KM30 |
| Theory exam | 3 | 0.12 | KM29, KM30 |
| Independent study | 60 | 2.4 | CM28, KM29, SM31 |
| Tutorial sessions | 6 | 0.24 | CM28, SM31 |
| Practical workshops | 33 | 1.32 | CM28, KM29, SM31 |
The course combines theoretical and practical sessions. The theoretical sessions introduce the fundamental concepts of journalistic design and examine the main elements of visual language as applied to journalistic products. The practical sessions constitute the core of the course through individual exercises in composition and layout design, culminating in the development of a group editorial project involving the creation of a magazine. This learning process is complemented by tutorial and review sessions that enable students to justify their design decisions and progressively refine their work.
A detailed schedule outlining the content of each session will be presented on the first day of the course and will be available on the course’s Virtual Campus, where students will find the various teaching materials deemed appropriate by the instructors and necessary information for effective course monitoring. 2 Should the teaching modality change for reasons of force majeure according to the competent authorities, the teaching staff will inform students of any modifications to the course schedule and teaching methodologies.
Note: The course content will be sensitive to issues related to gender perspective and the use of inclusive language.
Assessment
Continuous assessment activities
| Title | Weight | Hours | ECTS | Learning outcomes |
|---|---|---|---|---|
| Magazine style guide and presentation | 20% | 6 | 0.24 | CM28, KM29, SM31 |
| Newspaper layout assignments | 15% | 6 | 0.24 | CM28, KM29, SM31 |
| Magazine development assignments | 40% | 21 | 0.84 | CM28, KM29, SM31 |
| Theory exam | 25% | 3 | 0.12 | KM29, KM30 |
- Theory exam: 25%
- Newspaper layout assignments (individual): 15%
- Magazine development assignments (individual): 40%
- Magazine style guide and project presentation (group): 20%
To pass the course, students must obtain a minimum grade of 5 out of 10 in each assessment activity, including all practical assignments and the theory exam.
Reassessment:
Students will be entitled to reassessment in the course if they have been evaluated on a set of activities accounting for at least two-thirds of the total course grade.
Single-assessment:
This course does not provide for a single-assessment system.
Artificial Intelligence:
In this course, the use of Artificial Intelligence (AI) technologies is permitted as an integral part of assignment development, provided that the final outcome demonstrates a significant contribution from the student in terms of analysis and personal reflection. Students must clearly identify any content generated using AI, specify the tools employed, and include a critical reflection on how these technologies have influenced both the process and the final result of the assignment. Failure to disclose the use of AI in this assessed activity will be considered a breach of academic integrity and may result in a partial or total penalty to the assignment grade or more serious sanctions in severe cases.
Any student suspected of submitting assignments that have been generated by AI, written by others or copied; include unattributed AI-generated content, or fall outside the permitted scope, may be asked to provide the preliminary work or other materials that can demonstrate it is original work and the result of their own authorship. They may also be asked to separately explain or justify their work. Teachers may also use AI detection systems or carry out any verification tasks they deem appropriate. If, after review, the instructor detects irregularities, the assignment may be graded zero, and the student may be subject to further disciplinary action.
Irregularities:
The performance of any irregularity in an evaluation act (academic fraud, plagiarism or improper use of AI, unless this use is expressly authorized by the teaching guide), which may lead to a significant variation in the grade, assumes that this act will be graded with a 0. In the event that the teaching guide foresees that in order to pass the subject it is an essential requirement to have obtained a minimum grade in this evaluation act or that there are several irregularities in the evaluation acts of the same subject, the final grade of this subject is 0. Apart from this, a disciplinary process may be instructed to the student that incurs any of these irregularities.
Bibliography
Required bibliography:
CALDWELL, Cath y ZAPPATERRA, Yolanda (2014). Diseño editorial. Periódicos y revistas / Medios impresos y digitales. Barcelona: Gustavo Gili.
CERDÀ, Marta (2025). Sobreviure al disseny. Barcelona: Anagrama
GONZÁLEZ DÍEZ, Laura y PÉREZ CUADRADO, Pedro (2001). Principios básicos sobre diseño periodístico. Madrid: Universitas.
HARROWER, Tim y ELMAN, Julie M. (2012). The newspaper designer's handbook. 7th ed. Nueva York: McGraw-Hill.
KLANTEN, Robert, KOUZNETSOVA, Anja y ERREA, Javier (2018). Newspaper design. Editorial design from the world's best newsrooms. Berlín: Gestalten.
LÓPEZ ALONSO, Rodrigo (2013). Diseño de periódicos y revistas en la era digital. Madrid: Fragua.
LUPTON, Ellen (2011). Pensar con tipos. Guía clave para estudiantes, diseñadores, editores y escritores. Barcelona: Gustavo Gili.
SUÁREZ CARBALLO, Fernando (2008). Fundamentos del diseño periodístico. Pamplona: EUNSA.
Further reading:
ANGELETTI, Norberto y OLIVA, Alberto (2002). Revistas que hacen e hicieron historia. Barcelona: El Sol.
CANGA LAREQUI, Jesús (1984). El diseño periodístico en la prensa diaria. Normas básicas. Barcelona: Bosch.
JOHANSON, Kaj, LUNDBERG, Peter y RYBERG, Robert (2011). Manual de producción gráfica. Recetas. Barcelona: Gustavo Gili.
KING, Stacey (2001). Diseño de revistas. Pasos para conseguir el mejor diseño. Barcelona: Gustavo Gili.
LEWIS, Angharad (2016). ¿Quieres publicar una revista? Autoedición, diseño, creación y distribución de publicaciones independientes. Barcelona: Gustavo Gili.
LOCKWOOD, Robert (1992). Diseño de la noticia. Barcelona: Ediciones B.
TENA PARERA, Daniel (2011). Diseñar para comunicar. Barcelona: Bosch.
Software
Affinity
Course groups and languages
The information provided is provisional until November 30. After this date, you will be able to consult the language of each group through this link. To access the information, you will need to enter the course CODE
| Type of teaching | Group | Language | Semester | Shift |
|---|---|---|---|---|
| (TE) Theory | 1 | Spanish | second semester | morning-mixed |
| (PLAB) Practical laboratories | 1 | Catalan | second semester | morning-mixed |
| (TE) Theory | 2 | Spanish | second semester | morning-mixed |
| (PLAB) Practical laboratories | 2 | Catalan | second semester | morning-mixed |
| (PLAB) Practical laboratories | 3 | Spanish | second semester | morning-mixed |
| (PLAB) Practical laboratories | 4 | Catalan | second semester | morning-mixed |
| (PLAB) Practical laboratories | 5 | Catalan | second semester | morning-mixed |
| (PLAB) Practical laboratories | 6 | Spanish | second semester | morning-mixed |